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The Wings of Eagles
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Death of a Rebel
This is a biography of Charles Andrews Fenton (1919-1961), a teacher, scholar, and writer, who at the peak of his career, took his own life.
American Prophet
“A fascinating portrait of activism deepened and sustained by Herculean labors of research and investigation.”—The Nation Historian Kevin Starr described Carey McWilliams as "the finest nonfiction writer on California—ever" and "the state's most astute political observer." But as Peter Richardson argues, McWilliams was also one of the nation's most versatile and productive public intellectuals of his time. Richardson's absorbing and elegant biography traces McWilliams's extraordinary life and career. Drawing from a wide range of sources, it explores his childhood on a Colorado cattle ranch, his early literary journalism in Los Angeles, his remarkable legal and political activism, his stint in state government, the explosion of first-rate books between 1939 and 1950, and his editorial leadership at The Nation. Along the way, it also documents McWilliams's influence on a wide range of key figures, including Cesar Chavez, Hunter S. Thompson, Mike Davis, screenwriter Robert Towne, playwright Luis Valdez, and historian Patricia Limerick.
Early Film Noir
The name is French and it has connections to German expressionist cinema, but film noir was inspired by the American Raymond Chandler, whose prose was marked by the gripping realism of seedy hotels, dimly lit bars, main streets, country clubs, mansions, cul-de-sac apartments, corporate boardrooms, and flop houses of America. Chandler and the other writers and directors, including James M. Cain, Dashiell Hammett, Jane Greer, Ken Annakin, Rouben Mamoulian and Mike Mazurki, who were primarily responsible for the creation of the film noir genre and its common plots and themes, are the main focus of this work. It correlates the rise of film noir with the new appetites of the American public after World War II and explains how it was developed by smaller studios and filmmakers as a result of the emphasis on quality within a deliberately restricted element of cities at night. The author also discusses how RKO capitalized on films such as Murder, My Sweet and Out of the Past--two of film noir's most famous titles--and film noir's connection to British noir and the great international triumph of Sir Carol Reed in The Third Man.
A History of Television's The Virginian, 1962-1971
On September 19, 1962, The Virginian made its primetime broadcast premiere. The 1902 novel by Owen Wister had already seen four movie adaptations when Frank Price mentioned the story's series potential to NBC. Filmed in color, The Virginian became television's first 90-minute western series. Immensely successful, it ran for nine seasons--television's third longest running western. This work accounts for the entire creative history of The Virginian, including the original inspirations and the motion picture adaptations--but the primary focus is its transformation into television and the ways in which the show changed over time. An extensive episode guide includes title, air date, guest star(s), writers, producers, director and a brief synopsis of each of The Virginian's 249 episodes, along with detailed cast and production credits.
Polly's War
Will she lose everything she’s worked so hard for? The Second World War may be over, but the war in Polly Pride’s home is only just beginning, and it will test her like never before. Her son, Benny, never seems to be far from trouble, spending all his time with shady characters and winding up in the wrong places at the wrong times. Her daughter, Lucy, is seeing another man behind her husband’s back and leaving her children to run riot. And Charlie, Polly’s beloved husband, is battling ill health and doesn’t want her interfering. Polly refuses to go back to a life of poverty – but managing a business, a family, and the trials of living in post-war Manchester might prove to be too much, even for her... An inspiring, gritty family drama set in the 1940s, perfect for fans of Ruth Hamilton, Emma Hornby and Kitty Neale.
Creatures of Darkness
“[An] exhaustively researched survey of Raymond Chandler’s thorny relationship with Hollywood during the classic period of film noir.” —Alain Silver, film producer and author Raymond Chandler’s seven novels, including The Big Sleep (1939) and The Long Goodbye (1953), with their pessimism and grim realism, had a direct influence on the emergence of film noir. Chandler worked to give his crime novels the flavor of his adopted city, Los Angeles, which was still something of a frontier town, rife with corruption and lawlessness. In addition to novels, Chandler wrote short stories and penned the screenplays for several films, including Double Indemnity (1944) and Strangers on a Train (1...
