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Frank J. Thomas Letters
Reminiscences of childhood in Los Angeles, with information on the family home; schooling; a visit to Catalina Island; his father, mining engineer Charles C. Thomas; the capture of the Mexican bandit Tiburcio Vásquez; and the shipwreck of the "Golden Age" off Mazatlán.
Circus Wagon
None
The City Record
None
Beyond Objecthood
The rise of the exhibition as critical form and artistic medium, from Robert Smithson's antimodernist non-sites in 1968 to today's institutional gravitation toward the participatory. In 1968, Robert Smithson reacted to Michael Fried's influential essay “Art and Objecthood” with a series of works called non-sites. While Fried described the spectator's connection with a work of art as a momentary visual engagement, Smithson's non-sites asked spectators to do something more: to take time looking, walking, seeing, reading, and thinking about the combination of objects, images, and texts installed in a gallery. In Beyond Objecthood, James Voorhies traces a genealogy of spectatorship through t...
Frank Lobdell
The first comprehensive overview of Frank Lobdell's paintings, drawings, prints, and sketchbooks, and his long career as artist and teacher in the San Francisco Bay Area.
