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'Telling It Like It Is' is a collection of quotations that either give good advice or are useful truths. Of course there will be quotations that you disagree with or don't identify with, but with about 700 pages how could it be otherwise! Taken as a whole though, the book tries to present a coherent view of life that has honesty and integrity and is true. Ultimately, however, you must decide for yourself whether each quote strikes a chord with you and whether all the quotes taken together present a picture of human affairs and behavior that you recognize and agree with. Whatever your final opinion, you will find this collection of quotations both fascinating and provocative.
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"Dorothy Parker collected most of her verse in three compilations from 1926-31, but some of her most entertaining and heartbreaking work was unknown to the general public until 1996, when Stuart Y. Silverstein collected 121 of Mrs. Parker's "lost" poems and free verses in Not Much Fun. Now Mr. Silverstein has added several previously un-collected items, and has expanded his critically acclaimed introduction, in this revised and updated edition ofNot Much Fun." "The heretofore "lost" poem reproduced here was likely typed by Dorothy Parker herself - note the four typographical errors - after her affair with the philandering reporter Charles MacArthur. The original typescript is preserved in the archives of the Special Collections of the Fales Library of New York University." --Book Jacket.
Originally published in 2006. For many Americans at the turn of the twentieth century and into the 1920s, the city of New York conjured dark images of crime, poverty, and the desperation of crowded immigrants. In How New York Became American, 1890–1924, Art M. Blake explores how advertising professionals and savvy business leaders "reinvented" the city, creating a brand image of New York that capitalized on the trend toward pleasure travel. Blake examines the ways in which these early boosters built on the attention drawn to the city and its exotic populations to craft an image of New York City as America writ urbanâ€�a place where the arts flourished, diverse peoples li...
Baseball followers have been perpetuating, debating, and debunking myths for nearly two centuries, producing a treasury of baseball stories and “facts.” Yet never before have these elements of baseball history been carefully scrutinized and compiled into one comprehensive work—until now. In Baseball Myths: Debating, Debunking, and Disproving Tales from the Diamond, award-winning researcher Bill Deane examines baseball legends—old and new. This book covers such legendary players as Shoeless Joe Jackson, Ty Cobb, Babe Ruth, Joe DiMaggio, Jackie Robinson, Pete Rose, and Derek Jeter, while also looking at lesser-known figures like Dummy Hoy, Grover Land, Wally Pipp, and Babe Herman—not...
The life story of the man who gave Dorothy and her Oz companions something to sing about
This newest book by the West's beloved historian, Agnes Wright Spring, is a collection of reminiscences about distinguished people known to the author during her half-century of work as an historian. Near the Greats presents little-known vignettes of well-known people: William Henry Jackson, Black Kettle's widow, Lowell Thomas, Mamie Eisenhower, Kit Carson III, Calamity Jane and many more. Near the Greats is, in essence, a autobiography of a great historian. Mrs. Spring introduces us to some of the people who most profoundly influenced her career: Dr. Grace Raymond Hebard, William C. Deming, Dr. James Grafton Rogers and others. Agnes Wright Spring shares with us some moments of pride and hon...
Short subject films have a long history in American cinemas. These could be anywhere from 2 to 40 minutes long and were used as a "filler" in a picture show that would include a cartoon, a newsreel, possibly a serial and a short before launching into the feature film. Shorts could tackle any topic of interest: an unusual travelogue, a comedy, musical revues, sports, nature or popular vaudeville acts. With the advent of sound-on-film in the mid-to-late 1920s, makers of earlier silent short subjects began experimenting with the short films, using them as a testing ground for the use of sound in feature movies. After the Second World War, and the rising popularity of television, short subject films became far too expensive to produce and they had mostly disappeared from the screens by the late 1950s. This encyclopedia offers comprehensive listings of American short subject films from the 1920s through the 1950s.