Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Selected Writings
Presents 18 pieces by anthropologist Steiner (1909-52). They include deaccessions of labor and economics; a section from his dissertation on slavery; unpublished lectures on Aristotle, Simmel, and kinship; a selection of aphorisms; and extracts from his poetic cycle Conquests. In the introduction, Alder (German, King's College, London) and Fardon (West African anthropology, School of Oriental and African studies, London) relate his work to current concerns. Apparently only two volumes are planned. Annotation copyrighted by Book News, Inc., Portland, OR
Franz Baermann Steiner
Franz Baermann Steiner (1909-52) provided the vital link between the intellectual culture of central Europe and the Oxford Institute of Anthropology in its post-Second World War years. This book demonstrates his quiet influence within anthropology, which has extended from Mary Douglas to David Graeber, and how his remarkable poetry reflected profoundly on the slavery and murder of the Shoah, an event which he escaped from. Steiner’s concerns including inter-disciplinarity, genre, refugees and exile, colonialism and violence, and the sources of European anthropology speak to contemporary concerns more directly now than at any time since his early death.
Anthropology as Memory
This essay is offered particularly as a contribution to the relationship between theological and literary writings on the Holocaust. Franz Baermann Steiner’s (1909–1952) detailed sociological work – he taught at the Department of Social Anthropology at Oxford and developed a sociology of danger that strongly influenced Mary Douglas, T. W. Adorno, Iris Murdoch, H.G. Adler and Julia Kristeva – contrasts with Canetti’s emphasis on shock. Canetti’s response to the Holocaust constitutes, in Dominick LaCapra’s terms, an ‘acting out’ of trauma: a comparison between Canetti’s »Masse und Macht« and the anthropological texts he uses brings to the fore his bleak depicton of humani...
Taboo
Scholars have been trying to explain taboo customs ever since Captain Cook discovered them in Polynesia over 200 years ago. The subject has been treated at length, but none of the theories has more than a limited validity, so numerous are the taboos recorded and so diverse the societies in which they occur. This book contains chapters on: · Taboo as a Victorian invention · The complicated taboos in the Pentateuch · Taboos in Polynesia Originally published in 1956.
Comparative Criticism: Volume 16, Revolutions and Censorship
This 1994 book addresses literary theory and criticism, comparative studies in terms of theme, genre movement and influence, and interdisciplinary perspectives.
The Flight From the Enchanter
Annette runs away from her finishing school but learns more than she bargained for in the real world beyond; the fierce and melacholy Rosa is torn between two Polish brothers; Peter is obsessed by an indecipherable ancient script. This is a story of a group of people under a spell, and the centre of it all is the mysterious Mischa Fox, the enchanter.
The Mediterranean as a Source of Cultural Criticism
The essays contained in this volume explore the historical trajectories along which the Mediterranean has been conceptualized as a cultural, religious and economical resource and how these various aspects are intertwined. While staying clear of a merely “imagological” or “representational” point of view, the authors consider the interplay between culturally shaped attributions (for example the longstanding desire for a Mediterranean “Otherness” as expressed in German literature), their testing in empirical encounters, and the effect these encounters produce on both sides. Although focused particularly on 19th and 20th century culture, this volume offers a timely contribution to conceptualising the challenges of the 21st century. The conjunction of both provinciality and universality, the connectivity and fragmentation of the Mediterranean continues to be at the basis of the European matrix of all possible (hi)stories.
