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Fran�ois Hartog explores crucial moments of change in societyÕs Òregimes of historicityÓ or its way of relating to the past, present, and future. Inspired by Arendt, Koselleck, and Ricoeur, Hartog analyzes a broad range of texts, positioning the The Odyssey as a work on the threshold of a historical consciousness and then contrasting it against an investigation of the anthropologist Marshall SahlinsÕs concept of Òheroic history.Ó He tracks changing perspectives on time in Ch‰teaubriandÕs Historical Essay and Travels in America, and sets them alongside other writings from the French Revolution. He revisits the insight of the French Annals School and situates Pierre NoraÕs Realms o...
No detailed description available for "Memories of Odysseus".
"The best book to come out on Herodotus in years."—G. E. R. Lloyd, King's College Cambridge
As omnipresent as it is ungraspable, time has always inspired and eluded attempts to comprehend it. For the early Christians, for the twenty-first-century world, how have past and future been woven into the present? In Chronos, a leading French historian ranges from Western antiquity to the Anthropocene, pinpointing the crucial turning points in our relationship to time. François Hartog considers the genealogy of Western temporalities, examining the orders of time and their divisions into epochs. Beginning with how the ancient Greeks understood time, Chronos explores the fashioning of a Christian time in the early centuries of the Catholic Church. Christianity’s hegemony over time reigned...
"The best book to come out on Herodotus in years."--G. E. R. Lloyd, King's College Cambridge
This valuable reference is an authoritative guide to 20th century French thought. It considers the intellectual figures, movements and publications that helped define fields as diverse as history, psychoanalysis, film, philosophy, and economics.
This edited volume offers an original exploration into the ways in which Soviet culture and experience of time were unique, examining the temporalities expressed in the world of socialist things: from the objects of everyday life to urban architecture. Grounding the analysis of Soviet temporalities in their material incarnations not only lends concreteness to discussions of temporal culture, but also draws out ways in which the specificities of Soviet things—and their planning, design, manufacture, and consumption—mediated and produced particular ways of experiencing, perceiving, and representing time. As such, Time and Material Culture turns a new page in the study of the temporal and material culture of Soviet socialism and, in doing so, contributes to broader debates on the changing experiences of time in the global twentieth century. The book integrates interdisciplinary perspectives as well as regional approaches sensitive to the multinational nature of the Soviet project. Time and Material Culture will be useful to academics, upper-level undergraduates, and graduate students interested in twentieth-century cultures of time.
Inspired by the insights of Reinhart Koselleck and François Hartog, two pioneers of the "temporal turn" in historiography, Clark shows how Friedrich Wilhelm rejected the notion of continuity with the past, believing instead that a sovereign must liberate the state from the entanglements of tradition to choose freely among different possible futures. He demonstrates how Frederick the Great abandoned this paradigm for a neoclassical vision of history in which sovereign and state transcend time altogether, and how Bismarck believed that the statesman's duty was to preserve the timeless permanence of the state amid the torrent of historical change. Clark describes how Hitler did not seek to revolutionize history like Stalin and Mussolini, but instead sought to evade history altogether, emphasizing timeless racial archetypes and a prophetically foretold future.
Karin Tilmans is an historian, and academic coordinator of the Max Weber Programme at the European University Institute, Florence. Frank van Vree is an historian and professor of journalism at the University of Amsterdam. Jay M. Winter is the Charles J. Stille Professor of History at Yale. --
Featuring diverse disciplines and including creative as well as critical work, The Ends of Theory both exemplifies the impact of critical theory and questions its future. The sixteen essays in this anthology reflect on the nature and purpose of theoretical work in the humanities and succeed in bridging critical and creative production. Contributors include Arthur Danto, Paul A. Bové, Bob Perelman, and Steve McCaffery.