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Conversations with Maryse Condä
This book is an exploration of the life and art of Maryse Condi, who first won international acclaim for Segu, a novel about West African experience and the slave trade. Born in Guadeloupe in 1937, Condi lived in Guinea after it won its independence from France. Later she lived in Ghana and Senegal during turbulent, decisive moments in the histories of these countries. Her writings-novels, plays, essays, stories, and children's books-have led her to an increasingly important role within Africa and throughout the world. Frangoise Pfaff met Maryse Condi in 1981, when she first interviewed her. Their friendship grew quickly. In 1991 the two women continued recording conversations about Condi's ...
Twenty-Five Black African Filmmakers
An invaluable work on black African cinema has at last appeared in English. Francoise Pfaff's volume synthesizes relevant information, devoid of hagiography, about twenty-five sub-Saharan African filmmakers, according a separate chapter--consisting of a biography, filmography, and thematic analyses of individual films--to each. Varying critical viewpoints are brought to bear from both African and non-African perspectives. The author has gone beyond translation and compilation to explore the decades of black African cinema within the historical context of the continent's problematic emancipation. . . . Twenty-Five Black African Filmmakers offers enormous insight along with valuable data heret...
Focus on African Films
'Focus on African Films' offers pluralistic perspectives on filmmaking across Africa, highlighting the distinct thematic, stylistic, and socioeconomic circumstances of African film production.
The Cinema of Ousmane Sembene, A Pioneer of African Film
The films of Ousmane Sembene are powerful representations of the newly emerging black African cinema. In this interpretive study of his most significant films, Francoise Pfaff examines Sembene's pioneering efforts over the last two decades. While focusing primarily on the realistic and symbolic levels of his works, the stylistic and technical aspects are also examined. Pfaff discusses the aesthetic, sociopolitical, and metaphysical values of Sembene's oeuvre within its African context. His depiction of the tension between traditional and modern African life is explored. Pfaff includes film stills and excerpts from interviews with Sembene and other African filmmakers. She concludes with comments about Sembene's contributions to our intercultural heritage.
Cinemas of the Black Diaspora
This is a study of the cinematic traditions and film practices in the black Diaspora. With contributions by film scholars, film critics, and film-makers from Europe, North America and the Third World, this diverse collection provides a critical reading of film-making in the black Diaspora that challenges the assumptions of colonialist and ethnocentrist discourses about Third World, Hollywood and European cinemas. Cinemas of the Black Diaspora examines the impact on film-making of Western culture, capitalist production and distribution methods, and colonialism and the continuing neo-colonial status of the people and countries in which film-making is practiced. Organized in three parts, the st...
Ousmane Sembène
Collected interviews with the African filmmaker who directed Black Girl, Mandabi, Xala, Ceddo, Faat Kine, and Moolaade
Black and White in Colour
Black and White in Colour considers how the African past has been represented in a wide range of historical films. Written by an eminent team of scholars, the volume provides extensive coverage of issues that have been prominent in the written history of Africa. Among the themes dealt with are the slave trade, imperialism and colonialism, racism and anti-colonial resistance. Many of the films will be familiar to readers: they include Out of Africa, Hotel Rwanda, Lumumba, Cry Freedom, The Battle of Algiers, and Ceddo. VIVIAN BICKFORD-SMITH works in the Historical Studies Department at the University of Cape Town; RICHARD MENDELSOHN is currently the head of the Department of Historical Studies at the University of Cape Town. North America: Ohio U Press; Southern Africa: Double Storey/Juta
Postcolonial Thought in the French Speaking World
In the late 1990’s, Postcolonial Studies risked imploding as a credible area of academic enquiry. Repeated anthologization and an overemphasis on the English-language literatures led to sustained critiques of the field and to an active search for alternative approaches to the globalized and transnational formations of the post-colonial world. In the early twenty-first century, however, postcolonial began to reveal a new openness to its comparative dimensions. French-language contributors to postcolonial debate (such as Edouard Glissant and Abdelkebir Khatibi) have recently risen to greater prominence in the English-speaking world, and there have also appeared an increasing number of import...
Third World Film Making and the West
This volume is the first fully comprehensive account of film production in the Third World. Although they are usually ignored or marginalized in histories of world cinema," Third World countries now produce well over half of the world’s films. Roy Armes sets out initially to place this huge output in a wider context, examining the forces of tradition and colonialism that have shaped the Third World--defined as those countries that have emerged from Western control but have not fully developed their economic potential or rejected the capitalist system in favor of some socialist alternative. He then considers the paradoxes of social structure and cultural life in the post-independence world,...
