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Where There's Smoke...
One of the most iconic villains in the history of television, the enigmatic Cigarette Smoking Man fascinated legions of fans of the 1990s hit TV series, The X-Files. Best known as 'Cancerman', the readers of TV Guide voted William B. Davis 'Television's Favourite Villain'. The man himself is a Canadian actor and director, whose revelations in this memoir will entertain and intrigue the millions of worldwide X-Files aficionados.
Romancing the Bard
A look at the Stratford Festival in its first 50 years, as it developed from a bold venture to a multi-million-dollar enterprise.
A Fly on the Curtain
None
The Names of Things
The Names of Things is a book about a man and a generation. Born to a working-class family in Toronto, David Helwig grew up in the haunted town of Niagara-on-the-Lake long before it became a fashionable summer destination for charter coaches of American tourists. David won a scholarship from General Motors to attend the University of Toronto and launched himself into theatrical productions at Hart House and mingled with such writers as John Robert Colombo, Henry Beissel, Edward Lacey, David Lewis Stein and Edna Paris. After working in summer stock with young actors including Timothy Findley, Gordon Pinsent and Jackie Burroughs, he spent a couple of years in the suburbs of Birkenhead, then mo...
Unheard Of
Canadian composer John Beckwith recounts his early days in Victoria, his studies in Toronto with Alberto Guerrero, his first compositions, and his later studies in Paris with the renowned Nadia Boulanger, of whom he offers a comprehensive personal view. In the memoir’s central chapters Beckwith describes his activities as a writer, university teacher, scholar, and administrator. Then, turning to his creative output, he considers his compositions for instrumental music, his four operas, choral music, and music for voice. A final chapter touches on his personal and family life and his travel adventures. For over sixty years John Beckwith has participated in national musical initiatives in mu...
Let's Go to The Grand!
"A fascinating history of a wonderful old theatre." - Hume Cronyn In September of 1901 London’s New Grand Opera House flung open its doors. Boasting a beautiful interior design, and with the most modern stage equipment available, the theatre was large enough to accommodate over 1,700 patrons and the largest touring shows of the time. With impresario Ambrose J. Small at the helm, a new era in theatrical entertainment began. Throughout the next hundred years, the Grand Theatre hosted everything from stock companies to minstrel shows, from vaudeville to star-studded productions. The celebrated amateur theatre company, London Little Theatre, made The Grand its home for decades. As Canadian the...
The Class
A national bestseller, The Class is a riveting and personal book from Ken Dryden. On Tuesday, September 6, 1960, the day after Labour Day, class 9G at Etobicoke Collegiate Institute in a suburb of Toronto assembled for the first time. Its thirty-five students, having written special exams, came to be known as the “Selected Class.” They would stay together through high school, with few exceptions. They would spend more than two hundred days a year together. Few had known each other before. Few have been in other than accidental contact in all the decades since. Their ancestors were almost all from working-class backgrounds. Their parents had lived their formative years through depression ...
Who's who in the Theatre
Issues for 1914-67 include "Notable productions and important revivals of the London stage from the earliest times."
Beyond Walls
A mainstay of Toronto’s theatrical landscape since 1968, Theatre Passe Muraille (which translates to ‘Theatre Without/Beyond Walls’) has focused on breaking down barriers—between actors and spectators, for example—while developing a populist aesthetic that has found resonance with both rural and urban audiences. In Beyond Walls, Peter Jobin considers the fledgling years of Canada’s longest running alternative theatre in Toronto. It is a roller coaster ride of soaring highs and crushing lows, from sell-out shows and innovative new ideas to morality squad arrests and financial crises. It documents the evolution of the theatre’s focus from its early interest in radical American theatrics to its later, Canadian nationalist direction. Jobin’s investigation shows that, by embracing diversity, collaboration and inclusivity, Theatre Passe Muraille has become a living and breathing representation of the city of Toronto and has helped to change the way Canadian audiences feel about Theatre. The book includes period photographs by Lionel Douglas and Bob Nasmith, and a foreword by dramaturge David Ferry.
