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Several children try to save a nest of baby swallows from certain death.
Most of the fairy tales that we grew up with we know thanks to the Brothers Grimm. Jack Zipes, one of the more astute critics of fairy tales, explores the romantic myth of the brothers as wandering scholars, who gathered "authentic" tales from the peasantry. Bringing to bear his own critical expertise as well and new biographical information, Zipes examines the interaction between the Grimms' lives and their work. He reveals the Grimms' personal struggle to overcome social prejudice and poverty, as well as their political efforts--as scholars and civil servants--toward unifying the German states. By deftly interweaving the social, political, and personal elements of the lives of the Brothers Grimm, Zipes rescues them from sentimental obscurity. No longer figures in a fairy tale, the Brothers Grimm emerge as powerful creators, real men who established the fairy tale as one of our great literary institutions. Part biography, part critical assessment, and part social history, The Brothers Grimm provides a complex and very real story about fairy tales and the modern world.
Nitzan Lebovic claims that political melancholy is the defining trait of a generation of Israelis born between the 1960s and 1990s. This cohort came of age during wars, occupation and intifada, cultural conflict, and the failure of the Oslo Accords. The atmosphere of militarism and conservative state politics left little room for democratic opposition or dissent. Lebovic and others depict the failure to respond not only as a result of institutional pressure but as the effect of a long-lasting "left-wing melancholy." In order to understand its grip on Israeli society, Lebovic turns to the novels and short stories of Israel Zarchi. For him, Zarchi aptly describes the gap between the utopian hope present in Zionism since its early days and the melancholic reality of the present. Through personal engagement with Zarchi, Lebovic develops a philosophy of melancholy and shows how it pervades Israeli society.
In the German Democratic Republic words and ideas mattered, both for legitimizing and criticizing the regime. No wonder, then, that the ruling SED party created a Writers Union to mold what writers publicly wrote and said. Its chief task was ideological: creating a socialist and antifascist culture. But it was also supposed to advance its members' professional interests and enable them to act as public intellectuals with a say in the direction of socialism. Many writers demanded that it pursue this second function as well, which brought it into conflict with the SED. This book explores how the union became a site for the contestation of writers' roles in GDR society with consequences well be...
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Antifascism After Hitler investigates the antifascist stories, memory sites and youth reception that were critical to the success of political education in East German schools and extracurricular activities. As the German Democratic Republic (GDR) promoted national identity and socialist consciousness, two of the most potent historical narratives to permeate youth education became tales of communist resistors who fought against fascism and the heroic deeds of the Red Army in World War II. These stories and iconic images illustrate the message that was presented to school-age children and adolescents in stages as they advanced through school and participated in the official communist youth or...