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Staging the Holocaust
'To portray the Holocaust, one has to create a work of art', says Claude Lanzmann, the director of Shoah. However, can the Holocaust be turned into theatre? Is it possible to portray on stage events that, by their monstrosity, defy human comprehension? These are the questions addressed by the playwrights and the scholars featured in this book. Their essays present and analyse plays performed in Israel, America, France, Italy, Poland and, of course, Germany. The style of presentation ranges from docudramas to avant-garde performances, from realistic impersonation of historical figures to provocative and nightmarish spectacles. The book is illustrated with original production photographs and some rare drawings and documents; it also contains an important descriptive bibliography of more than two hundred Holocaust plays.
Performing History
In his examination of the ways in which theatre participates in the ongoing representations of and debates about the past, Freddie Rokem concentrates on the ways in which theatre after World War II has presented different aspects of the French Revolution and the Holocaust, showing us that by “performing history” actors bring the historical past and the theatrical present together.
Performance: pt. 1. Foundations and definitions
This collection reflects not only the multidisciplinary nature of current thinking about performance, but also the complex and contested nature of the concept itself.
Bertolt Brecht
The publication of this volume of essays marks the centenary of the birth of Bertolt Brecht on 10 February 1898. The essays were commissioned from scholars and critics around the world, and cover six main areas: recent biographical controversies; neglected theoretical writings; the semiotics of Brechtian theatre; new readings of classic texts; Brecht's role and reception in the GDR; and contemporary appropriations of Brecht's work. This volume will be essential reading for all those interested in twentieth century theatre, modern German studies, and the contemporary reassessment of post-war culture in the wake of German unification and the collapse of Stalinist communism in Central and Eastern Europe. The essays in this volume also address a variety of general questions, concerning - for example - authorship and textuality; the nature of Brecht's Marxism in relation to his understanding of modernity, science and Enlightenment reason; Marxist aesthetics; radical cultural politics; and feminist performance theory.
Philosophers and Thespians
This book investigates the discursive practices of philosophy and theater/performance on the basis of actual encounters between representatives of these two fields.
Writing and Rewriting National Theatre Histories
Historians of theatre face the same temptations and challenges as other historians: they negotiate assumptions (their own and those of others) about national identity and national character; they decide what events and actors to highlight--or omit--and what framework and perspective to use for telling the story. Personal biases, trends in scholarship, and sociopolitical contexts influence all histories; and theatre histories, too, are often revised to reflect changing times and interests. This significant collection examines the problems and challenges of formulating national theatre histories.The essayists included here--leading theatre scholars from all over the world, many of whom wrote e...
The Labor of Life
Israeli playwright and director Hanoch Levin was one of the most original and innovative writers of his generation. Although Levin is familiar within the Israeli cultural context--and despite the steadily growing stream of literary and theatrical research of his oeuvre--there are few resources on his work available outside of Israel. The present volume, containing a selection of ten of his plays, is the first comprehensive effort to present this unique playwright and director to a broad readership. Levin's artistic credo was based on a constant urge to criticize Israeli society and its mainstream ideology while simultaneously confronting the basic human and existential issues of life and death. A whole generation of Israeli theater audiences has grown up on Levin's performances with all their paradoxical complexities. At this point, just a few years after his death from cancer in 1999 at the age of 56, it may not be possible to evaluate the full impact of his work. But this volume will contribute significantly to scholarship in this direction and to the appreciation of Levin's unique style.
Companion to Victor Pelevin
Companion to Victor Pelevin, a collaborative undertaking by a group of emerging Russianist scholars, focuses on the work of one of the most important and hotly debated post-Soviet writers. It provides a valuable resource to scholars, teachers, and students, including how best to teach Pelevin to university-level students, and which critical debates invite further investigation. The contributors offer new readings of Pelevin texts that cover a broad time span and pay due attention to the philosophical and aesthetic complexities of Pelevin’s oeuvre in its development from the early post-Soviet years to the second decade of the present millennium. Examining all of Pelevin’s major works and all Peleviniana currently available in English, the Companion aims to prompt further inquiry into this author’s intellectually stimulating and socially prescient work.
The Book of Job
The Book of Job has held a central role in defining the project of modernity from the age of Enlightenment until today. The Book of Job: Aesthetics, Ethics and Hermeneutics offers new perspectives on the ways in which Job’s response to disaster has become an aesthetic and ethical touchstone for modern reflections on catastrophic events. This volume begins with an exploration of questions such as the tragic and ironic bent of the Book of Job, Job as mourner, and theJoban body in pain, and ends with a consideration of Joban works by notable writers – from Melville and Kafka, through Joseph Roth, Zach, Levin, and Philip Roth.
