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My Art and My Friends
  • Language: en

My Art and My Friends

This memoir provides a personal account of the life and career of Frederic H. Cowen, a notable British composer and conductor of the late 19th and early 20th centuries, highlighting his friendships and collaborations with other artists. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

The Gate of Life
  • Language: en
  • Pages: 96

The Gate of Life

  • Type: Book
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  • Published: 1898
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  • Publisher: Unknown

None

The Legend of St. Christopher
  • Language: en
  • Pages: 212

The Legend of St. Christopher

  • Type: Book
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  • Published: 1898
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  • Publisher: Unknown

None

A Song of Darkness and Light;
  • Language: en
  • Pages: 84

A Song of Darkness and Light;

  • Type: Book
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  • Published: 1898
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  • Publisher: Unknown

None

The Musical World
  • Language: en
  • Pages: 870

The Musical World

  • Type: Book
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  • Published: 1864
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  • Publisher: Unknown

None

The Scot's Magazine
  • Language: en
  • Pages: 1008

The Scot's Magazine

  • Type: Book
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  • Published: 1898
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  • Publisher: Unknown

None

The Jackdaw of Rheims;
  • Language: en
  • Pages: 84

The Jackdaw of Rheims;

  • Type: Book
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  • Published: 1896
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  • Publisher: Unknown

None

The Standard Cantatas: Their Stories, Their Music, and Their Composers. A Handbook
  • Language: en
  • Pages: 266

The Standard Cantatas: Their Stories, Their Music, and Their Composers. A Handbook

  • Type: Book
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  • Published: 2023-10-04
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  • Publisher: Good Press

In 'The Standard Cantatas: Their Stories, Their Music, and Their Composers. A Handbook', George P. Upton provides a comprehensive exploration of the world of cantatas, focusing on their stories, musical elements, and the composers behind them. Upton delves into the historical and literary context of cantatas, offering detailed analysis of their structure and themes. Written in a scholarly yet accessible style, this book serves as a valuable resource for music lovers and scholars alike. Upton's meticulous research and passion for the subject shine through in his engaging prose, making this handbook a must-read for anyone interested in classical music. The inclusion of biographical information on the composers adds depth to the book, offering readers a deeper understanding of the creative process behind these timeless works. Overall, 'The Standard Cantatas' is a compelling and informative exploration of a rich musical tradition, making it an essential addition to any music lover's library.

A Society Clown: Reminiscences
  • Language: en
  • Pages: 141

A Society Clown: Reminiscences

  • Type: Book
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  • Published: 2022-09-04
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  • Publisher: DigiCat

DigiCat Publishing presents to you this special edition of "A Society Clown: Reminiscences" by George Grossmith. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Programme Music in the Last Four Centuries
  • Language: en
  • Pages: 562

Programme Music in the Last Four Centuries

This historic book may have numerous typos, missing text or index. Purchasers can download a free scanned copy of the original book (without typos) from the publisher. 1907. Not illustrated. Excerpt: ... CHAPTER IV. IN GERMANY. The writing of the present chapter cannot be called an inspiring task. Without Wagner's sovereign contempt for the music of his time, and Tchaikovsky's belief in Germany's complete exhaustion, one may yet be unable to grow enthusiastic over the theme. The productivity during the period with which we are concerned has been enormous. But how about the really valuable outcome of it? In the latter part of the 19th century the question was often asked: What remains if you ...