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Features an introduction and a commentary that incorporates the scholarship on "Beowulf" that has appeared since 1950. This work includes detailed bibliographic guidance to discussion of textual cruces, as well as to modern and contemporary critical concerns. It also addresses aids to pronunciation and advances in the study of the poem's language.
Frederick Klaeber's Beowulf has long been the standard edition for study by students and advanced scholars alike. Its wide-ranging coverage of scholarship, its comprehensive philological aids, and its exceptionally thorough notes and glossary have ensured its continued use in spite of the fact that the book has remained largely unaltered since 1936. The fourth edition has been prepared with the aim of updating the scholarship while preserving the aspects of Klaeber's work that have made it useful to students of literature, linguists, historians, folklorists, manuscript specialists, archaeologists, and theorists of culture. A revised Introduction and Commentary incorporates the vast store of ...
Women in German Yearbook is a refereed publication that presents a wide range of feminist approaches to all aspects of German literature, culture, and language, including pedagogy. Reflecting the interdisciplinary perspectives that inform feminist German studies, each issue contains critical studies involving gender and other analytical categories to examine the work, history, life, literature, and arts of the German-speaking world.Ruth-Ellen Boetcher Joeres is a professor of German at the University of Minnesota. Marjorie Gelus is a professor of German at California State University at Sacramento.
A defining volume of essays in which leading international scholars apply an interdisciplinary approach to the long and evolving relationship between English Literature and Theology.
Charles Moorman reexamines several major works of the western heroic tradition: The Iliad, The Odyssey, Beowulf, The Song of Roland, The Nibelungenlied, the Norse sagas, and the Arthurian cycle. Disregarding the usual limited definitions which have controlled the study of heroic literature, he draws together these disparate works by proposing a theme common to them all: the opposition of two major figures whom he names king and captain. The figure of the king arises from the community with its need for responsible government, while the captain, derived from myth, is a highly individualistic, irresponsible heroic figure. The tension which Moorman sees between them is used as a means of reinterpreting the works under study. Though widely separated in time and cultural milieu, The Illiad, and The Song of Roland, for example, can be compared by interpreting both the Agamemnon-Achilles and the Oliver-Roland relationships as conflicts between king and captain. These essays will prove illuminating for layman and scholar alike.
Comparison is an indispensable intellectual operation that plays a crucial role in the formation of knowledge. Yet comparison often leads us to forego attention to nuance, detail, and context, perhaps leaving us bereft of an ethical obligation to take things correspondingly as they are. Examining the practice of comparison across the study of history, language, religion, and culture, distinguished scholar of religion Bruce Lincoln argues in Apples and Oranges for a comparatism of a more modest sort. Lincoln presents critiques of recent attempts at grand comparison, and enlists numerous theoretical examples of how a more modest, cautious, and discriminating form of comparison might work and w...
The essays assembled in this new volume explore the fascination of the Middle Ages with the mystery of light, and its central role in the period's thought and creativity. Spanning medieval theology, literature, science and material culture, the topics covered include the history of light (and, inseparably, darkness) as a literary figure, from the Latin Bible to Geoffrey Chaucer; theoretical speculations on colour, sight and blindness, and their unexpected fertilization of fields such as poetic imagery; medieval preachers' evocations of light as much more than merely figuring the moral and religious, from St. Simeon in the ninth century to John Fisher in the early sixteenth; indeed the belief that light possessed not only reality but physical materality, as manifested in artefacts such as the Gloucester Candlestick. On Light thereby reveals not only the importance of this phenomenon to diverse aspects of medieval culture, but profound and unremarked ways in which it helped to bind these into a whole.
Gale Researcher Guide for: Beowulf: The Great Northern Epic is selected from Gale's academic platform Gale Researcher. These study guides provide peer-reviewed articles that allow students early success in finding scholarly materials and to gain the confidence and vocabulary needed to pursue deeper research.