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It would be difficult to imagine what human life would be like without stories—from myths recited by Pueblo Indian healers in the kiva, ballads sung in Slovenian market squares, folktales and legends told by the fireside in Italy, to jokes told at a dinner table in Des Moines—for it is chiefly through storytelling that people possess a past. In Homo Narrans John D. Niles explores how human beings shape their world through the stories they tell. The book vividly weaves together the study of Anglo-Saxon literature and culture with the author's own engagements in the field with some of the greatest twentieth-century singers and storytellers in the Scottish tradition. Niles ponders the natur...
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This review of the critical reception of Old English literature from 1900 to the present moves beyond a focus on individual literary texts so as to survey the different schools, methods, and assumptions that have shaped the discipline. Examines the notable works and authors from the period, including Beowulf, the Venerable Bede, heroic poems, and devotional literature Reinforces key perspectives with excerpts from ten critical studies Addresses questions of medieval literacy, textuality, and orality, as well as style, gender, genre, and theme Embraces the interdisciplinary nature of the field with reference to historical studies, religious studies, anthropology, art history, and more
The papers in this volume contribute to a more precise assessment of the interconnections between England and Scandinavia during the period from the establishment of the Danelaw to the Norman Conquest. The essays fall into three groups of concern: history, myth, and the language of poetry. Contents: Introduction: The Vikings and England; The Viking Policy of Ethelred the Unready; The Viking Policy of Ethelred: A Response; Ethelred II, Olaf Tryggvason, and the Conversion of Norway; Norse Mythology and Northumbria: Methodological Notes; Norse Mythology and Northumbria: A Response; Did Anglo-Saxon Audiences Have a Skaldic Tooth?; Skaldic Technique in Brunanburh; and Maldon As It Really Was. Co-published with the Old English Colloquium
Tradition places the main action of this Old English poem at Lejre, Zealand (Denmark), and excavations there 1986-88 and 2004-05 have revealed a succession of great halls dated from the middle sixth to the late tenth centuries, and very similar to the one described in eight-century poem. Archaeologists, historians, and literary scholars consider the implications.
This is a large format introduction to the Anglo-Saxon world, focusing on its spiritual and literary heritage. A large part of the book is dedicated to the Anglo-Saxon Rune Poem, the most complete account of runic writing we have inherited. The runic signs and riddles which accompany each of them (presented in Old English and modern translation) are dramatically brought to life by Brian PartridgeAes evocative drawings.
Humour is rarely seen to raise its indecorous head in the surviving corpus of Old English literature, yet the value of reading that literature with an eye to humour proves considerable when the right questions are asked. Humour in Anglo-Saxon Literature provides the first book-length treatment of the subject. In all new essays, eight scholars employ different approaches to explore humor in such works as Beowulf and The Battle of Maldon, the riddles of the Exeter Book, and Old English saints' lives. An introductory essay provides a survey of the field, while individual essays push towards a distinctive theory of Anglo-Saxon humour. Through its unusual focus, this collection will provide an ap...
How did the Anglo-Saxons visualize the world that they inhabited? How did their artwork and iconography help to confirm their identity as a people? What influences shaped their visual imagination? This volume brings together a wide range of scholarly perspectives on the role of visuality in the production of culture. Jewels, weapons, crosses, coins, and other artifacts; descriptive passages in literature; types of script; deluxe illuminated manuscripts; and runes and other written inscriptions, whether real or imagined -- all receive scrutiny in this collection of new essays. Noteworthy for its interdisciplinary scope, the volume features arresting work by experts in archaeology, art history, literary studies, linguistics, numismatics, and manuscript studies. The volume as a whole demonstrates the power of current scholarship to cast light on the visual imagination of the past.
This updated edition has been thoroughly revised to take account of recent scholarship and includes five new chapters.
Features an introduction and a commentary that incorporates the scholarship on "Beowulf" that has appeared since 1950. This work includes detailed bibliographic guidance to discussion of textual cruces, as well as to modern and contemporary critical concerns. It also addresses aids to pronunciation and advances in the study of the poem's language.