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Mastering Yang Style Taijiquan
Your go-to illustrated guide to the practices, history, and philosophy of the popular Yang style of taijiquan Fu Zhongwen's classic guide offers the best documentation available of the Yang style of taijiquan. The superbly detailed form instructions and historic line art drawings are based on Fu’s many years as a disciple of Yang Chengfu, taijiquan’s legendary founder. Also included are concise descriptions of fixed-step, moving-step, and da lu push hands practices. Additional commentary by translator Louis Swaim provides key insight into the text’s philosophical language and imagery, further elucidating the art’s cultural and historical foundations.
Fu Ssu-nien
Wang's biography of Fu Ssu-nien examines Fu's important role in modern China's intellectual development.
The Reception of Du Fu (712-770) and His Poetry in Imperial China
In The Reception of Du Fu (712-770) and His Poetry in Imperial Chinat, Ji Hao offers a general picture of the reception of Du Fu from the Song to the Qing and explores major shifts in interpretive approaches to Du Fu’s poetry and their poetic and cultural implications.
Chinese Art in an Age of Revolution
Published on the occasion of an exhibition held at the Cleveland Museum of Art, Oct. 16, 2011-Jan. 8, 2012 and at the Metropolitan Museum of Art, N.Y., Jan. 30-Apr. 29, 2012.
Chinese Combatives: An Anthology
According to traditional Chinese martial arts custom, instruction in the lethal arts were transmitted under strict secrecy. At the turn of the twentieth century, the martial arts had started to be taught publically with a focus on health. However, many fighting techniques were not shown or taught. As a result, today some systems are more well-known than others. This anthology brings together some of the lesser-known arts in one volume and some aspects of their theory, application, and place historical place in society. The first two chapters by Shannon Phelps give a wonderful presentation of the Fu family Wudang arts—including the unique sixiangquan, a blending of liangyiquan, baguazhang, ...
Chinese Gung Fu
This new edition of Bruce Lee's classic work rejuvenates the authority, insight, and charm of the master's original 1963 publication for modern audiences. It seemlessly brings together Lee's original language, descriptions and demonstrations with new material for readers, martial arts enthusiasts and collectors that want Lee in his purest form. This timeless work preserves the integrity of Lee's hand-drawn diagrams and captioned photo sequences in which he demonstrates a variety of training exercises and fighting techniques, ranging from gung fu stances and leg training to single- and multiple-opponent scenarios. Thought-provoking essays on the history of gung fu, the theory of yin and yang, and personal, first-edition testimonials by James Y. Lee, the legendary Ed Parker, and jujutsu icon Wally Jay round out this one and only book by Lee on the Chinese martial arts. -- from back cover.
Kung Fu and Science
Kung Fu has evolved from a traditional means of defence to become a system of attacking and defending oneself, with or without weapons, exercising the body and maintaining good physical and mental health. As such, these practices have found an international following. Yet what has remained a largely unexplored area is the scientific principles behind these martial arts. This book not only covers the brief history of Chinese martial arts, but also brings together the wisdom of a Kung Fu grand master with a scientist and teacher to explain the scientific reasons why Kung Fu is the powerful practice that it is. Using the principles of physics, biomechanics and biology, with a number of drawings showing some basic postures of Kung Fu, the authors present a deep understanding of how the styles, the specific movements and methods of attack and defence operate.
Chinese Kung Fu
An illustrated introduction to the history and development of kung fu, a fascinating and popular branch of traditional Chinese culture.
Chinese Theatre
Chinese opera has a history of over 800 years. However, since the early twentieth century, following increased contact with the West, drama without music has also become popular in China. The development and prosperity of modern drama has created a new landscape for Chinese theater, which, as a whole, has become more diverse.
