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Modern and Contemporary Masterworks from Malba - Fundación Costantini
"Modern and Contemporary Masterworks from Malba - Fundación Costantini highlights affinities among modern and contemporary Latin American artworks from MALBA (Museo de Arte Latinoamericano de Buenos Aires). The book includes an in-depth interview by Mari Carmen Ramírez with Eduardo Costantini, an internationally renowned art collector and the founder of MALBA"--
Gego
German-born Venezuelan artist Gego produced a wide range of line based abstract work. This text traces her exploration of line and space and her attempts to make visible the invisible. By manipulating the density of lines or by interrupting them, she brought light, shadow and feeling into her linear works.
A Story of Deception
First time exhibition of Alÿs (b. Belgium, has lived and worked in Mexico since 1986) in Argentina as part of a new program under which different artists produced artworks that will be part of the Malba - Constantini collection. The artist selected the pampa and the Pantagonia deserts to create his artistic chronicle within his line of artistic production: an historical-geographic research, trips, walks, interventions, assessment and recording that included different formats: drawings, photographs, printed documentation and the projection of a film of the desert road that imitate the hunting of the andus (nandus or rhea) by the Tehuelche Indians, who walked large distances on foot until the prey was exhausted, that is walking as a weapon.
Purity Is a Myth
Presenting new scholarship, this publication is an innovative technical study of the Concrete art movement in Latin America. Purity Is a Myth presents new scholarship on Concrete art in Argentina, Brazil, and Uruguay from the 1940s to the 1960s. Originally coined by the Dutch artist Theo van Doesburg in 1930, the term concrete denotes abstract painting with no reference to external reality. Van Doesburg argued that there was nothing more real than a line, color, or plane. Artists such as Willys de Castro, Lygia Clark, Waldemar Cordeiro, Hermelindo Fiaminghi, Judith Lauand, Raúl Lozza, Tomás Maldonado, Hélio Oiticica, and Rhod Rothfuss would reinvent this concept in postwar Latin America. ...
From hunger to dream
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David Lamelas
Published by the University Art Museum, California State University, Long Beach in association with Getty Publications The renowned Argentine conceptual artist David Lamelas (born 1946) has an expansive oeuvre of sensory, restive, and evocative work. This book, published to coincide with the first monographic exhibition of the artist’s work in the United States, offers an incisive look into Lamelas’s art. The guiding analytic theme is the artist’s adaptability to place and circumstance, which invariably influences his creative production. Lamelas left Argentina in the mid-1960s to study at Saint Martin’s in London. Since then, he has divided his time among various cities. While the typical narrative invoked about artists like Lamelas is one of “internationalism,” his nomadic movement from one place or conceptual framework to the next has always been more “postnational” than “international.”
Xul Solar
Brings together approximately 150 works of art, books, documents, and manuscripts from Xul Solar's personal archive as well as from public and private collections. This book provides an in-depth study of this artist, one of the most influential in Latin American avant-garde art. It also includes an artistic and biographical chronology.
Zilia Sánchez
A beautifully produced, comprehensive look at Cuban artist Zilia Sánchez that traces her alluring and evocative paintings and sculpture from the 1950s to today Cuban artist Zilia Sánchez (b. 1926) often says, “Soy isla” (“I am an island”), expressing her desire for solitary, uncompromising practice. It also serves as a metaphor for her experience as an islander—connected to and disconnected from both the mainland and mainstream art currents, such as concretism, gestural abstraction, and minimalism. Characterized by reductive forms, clean lines, and sensuous curves suggestive of the female body, Sánchez’s work frequently references protagonists from ancient mythology and lunar ...
Luis F. Benedit
Catalogue of an exhibition of the paintings, drawings, sculptures, and mosaics of the important artist and architect Luis F. Benedit (b. Argentina). The works share a theme of horse, cow, and other animal anatomy, including a series of fascinating sculpture/mosaics made out of cow and horse bones fitted together like jigsaw-puzzle pieces.
Handbook of Latin American Studies, Vol. 76
Beginning with Number 41 (1979), the University of Texas Press became the publisher of the Handbook of Latin American Studies, the most comprehensive annual bibliography in the field. Compiled by the Hispanic Division of the Library of Congress and annotated by a corps of specialists in various disciplines, the Handbook alternates from year to year between social sciences and humanities. The Handbook annotates works on Mexico, Central America, the Caribbean and the Guianas, Spanish South America, and Brazil, as well as materials covering Latin America as a whole. Most of the subsections are preceded by introductory essays that serve as biannual evaluations of the literature and research underway in specialized areas.
