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Unique perspectives from an acclaimed art historian on the relationship between drawing and painting From Drawing to Painting interweaves biographical information about five renowned French artists—Nicolas Poussin, Antoine Watteau, Jean-Honoré Fragonard, Jacques-Louis David, and Jean-Auguste-Dominique Ingres—with a fascinating look at dozens of their drawings and the links that they have to their paintings. This book explores drawing as a site of reflection, the space between the idea of a painted image and its realization on canvas. How, why, and for whom did these artists draw? What value did they place on their drawings? How did their drawings get handed down to us? In what way do th...
The medieval songbook as emergent genre -- Paradigms: the Carmina Burana and the Libro de Buen Amor -- Producing opaque coherence: lyric presence and names in songbooks -- Shifting mediality: visualizing lyric texts in songbooks -- Cancioneros and the art of the songbook -- Conclusion: songbook medievalisms.
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In this landmark study, Thomas Trautmann delves into the intellectual accomplishments of the languages and nations concept in British India, as well as the darker politics of race hatred which emerged out of it. He challenges the racial hypothesis through a powerful analysis of the feeble evidence upon which it is based. Issued for the first time in paperback format, this edition includes a new Preface in which the author discusses further ideas on the understanding of the Aryan theory and the languages and nations project, as well as the new scholarship supporting such ideas. The new preface also discusses the Aryan debate in contemporary India, which looks for a link between Aryans, Sanskrit, the Veda and the Indus Valley Civilization, and which has in recent times broadened into a tremendously politicized controversy. A compelling and carefully researched work, Aryans and British India has become mandatory reading, since its first publication in 1997, for historians, political scientists and commentators, anthropologists, and linguists, as well as scholars and students of cultural studies.
Creation myths around the world reveal an intricate network of recurrent motifs. Many of these are counterintuitive and not widely known, describing a time when the sky was low, the stars did not yet shine, multiple suns appeared, the moon was brighter than the sun, no land existed, deities and mortals maintained frequent contact, a 'world axis' in the form of a tree, ladder or giant man connected the earth with the sky, a devastating flood or fire ended the old order, and so forth. The present work, in multiple volumes, aims to find an origin for this cross-culturally and internally consistent body of traditions in a series of extraordinary natural events relating especially to the earth's ...