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"... offers a range of approaches to cinema's explorations of a hidden or absent God through a group of essays by thirty-five writers who discuss some fifty movies"--p. 11.
In this book Martien Brinkman explores the Jesus incognito as found in Western film, literature, and the visual arts since 1960. His interest here is focused primarily on indirect references to the Jesus figure. To his surprise, he found an abundance of allusions to Jesus in key figures in modern art. This confirmed his view that film, literature, and the visual arts make a substantial contribution, even in secular Western culture, to continuing reflection on Jesus’ significance. Brinkman finds important characteristics of a hidden Christ in films by Gabriel Axel, Ingmar Bergman, Krzysztof Kieslowski, and Lars von Trier, novels by Peter De Vries, J.M. Coetzee, and Arnon Grunberg, poems by Les Murray and Czeslaw Milosz, and paintings by Andy Warhol, Harald Duwe, and Frans Franciscus. He defines a hidden Christ as a fictional human individual who can be seen as a new embodiment of the meaning that can be attributed in the present to the biblical figure of Jesus. The hidden Christ is therefore a contemporized Jesus figure. This book will be of interest for everyone who shares Brinkman’s quest for this Jesus incognito.
French cuisine is such a staple in our understanding of fine food that we forget the accidents of history that led to its creation. Accounting for Taste brings these "accidents" to the surface, illuminating the magic of French cuisine and the mystery behind its historical development. Priscilla Parkhurst Ferguson explains how the food of France became French cuisine. This momentous culinary journey begins with Ancien Régime cookbooks and ends with twenty-first-century cooking programs. It takes us from Carême, the "inventor" of modern French cuisine in the early nineteenth century, to top chefs today, such as Daniel Boulud and Jacques Pépin. Not a history of French cuisine, Accounting for...
This monograph explores the way that the profile and the critical functions of the holy fool have developed in European cinema, allowing this traditional figure to capture the imagination of new generations in an age of religious pluralism and secularization. Alina Birzache traces the cultural origins of the figure of the holy fool across a variety of European traditions. In so doing, she examines the critical functions of the holy fool as well as how filmmakers have used the figure to respond to and critique aspects of the modern world. Using a comparative approach, this study for the first time offers a comprehensive explanation of the enduring appeal of this protean and fascinating cinematic character. Birzache examines the trope of holy foolishness in Soviet and post-Soviet cinema, French cinema, and Danish cinema, corresponding broadly to and permitting analysis of the three main orientations in European Christianity: Orthodox, Catholic, and Protestant. This study will be of keen interest to scholars of religion and film, European cinema, and comparative religion.
The gendered body in its common, everyday activities and references is the central focus of this book. Recognizing the highly abstract and often 'disembodied' character of contemporary discussions on 'the body' in relation to gender, subjectivity and discourse, the authors of this anthology start their inquiries at a more mundane level by studying 'common bodies': human bodies and bodily practices in daily situations of (domestic) work and care, of sex, love and violence, and of prayer and ritual. From this angle of 'corporeal agency' they discuss the meaning of religion, religiosity, transcendence and/or Divinity.
Explores the radical political potential of close reading to make the case for a new and invigorated psychoanalytic cultural studies.
Americans currently spend on average more than ten hours a day in front of a screen. Some of that time can now be a source of profound ethical reflections and spiritual insights thanks to this refreshing book. The primary goal of Lights in the Darkness is to explore the themes of grace, redemption, pilgrimage, conscience, justice, faith and reason, the common good, sacramentality, and wisdom in twelve award-winning films. In addition to unpacking these themes, each chapter provides background information on the relevant historical moment and explores the development of the film. Questions at the end of each chapter helps to connect the themes in each film to the lives of the reader. Film is a powerful and unique artistic medium and now you have a resource to connect its wonders to your faith by reading this book and watching these films.
A comprehensive guide to all the movie directors you should know before it is too late.
With worldwide spending estimates of over $97 billion by 2023, it is no surprise that Artificial Intelligence (A.I.) is one of the hottest topics at present in both the private and public spheres. Comprising of vital contributions from the most influential researchers in the field, including Daniel Dennett, Roman V. Yampolskiy, Frederic Gilbert, Stevan Harnad, David Pearce, Natasha Vita-More, Vernon Vinge and Ben Goertzel, ‘The Age of Artificial Intelligence: An Exploration’ discusses a variety of topics ranging from the various ethical issues associated with A.I. based technologies in terms of morality and law to subjects related to artificial consciousness, artistic creativity and inte...
The definitive guide to the study of film and religion.