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Something Happened After the Rain
The poems in this collection concatenate myriad of happenings in life which, though may take a similar course, do not leave us to grin and grimace at the same time. The turn of events in life, like rain, offers mixed feelings which may be pleasant or otherwise. Though rain comes with peaceful breeze and great equanimity, sometimes it does not usually come with that expected gift of grace. Occasionally, we may have to rejoice and sometimes count our losses. As heavens may pour down its torrent of grace, it may as well drizzle down its tears of terror. Thus, its arrival and departure do not always leave us with a soothing countenance as we all anticipate. With the ease of rainfall, the poems flow with the truths of the common life of the postcolonial subjects in a world of their own.
Protest Arts, Gender, and Social Change
Protest Arts, Gender, and Social Change: Fiction, Popular Songs, and the Media in Hausa Society across Borders by Ousseina Alidou examines how a new generation of novelists, popular songwriters, and musical performers in contemporary Hausa society are using their creative works to effect social change. This book empathizes with the reality of the forms of oppression, social isolation, and marginalization that vulnerable and underprivileged communities in contemporary Hausa society in Northern Nigeria and the Niger Republic have been experiencing from the mid-1980s to the present. It also highlights the ways in which song performances produce an intertextual dialogue between their lyrics and ...
Exploitation and Misrule in Colonial and Postcolonial Africa
This book offers new perspectives on the history of exploitation in Africa by examining postcolonial misrule as a product of colonial exploitation. Political independence has not produced inclusive institutions, economic growth, or social stability for most Africans—it has merely transferred the benefits of exploitation from colonial Europe to a tiny African elite. Contributors investigate representations of colonial and postcolonial exploitation in literature and rhetoric, covering works from African writers such as Ngugi wa Thiong’o, Kwame Nkrumah, and Bessie Head. It then moves to case studies, drawing lines between colonial subjugation and present-day challenges through essays on Mobutu’s Zaire, Nigerian politics, the Italian colonial fascist system, and more. Together, these essays look towards how African states may transform their institutions and rupture lingering colonial legacies.
Poetries - Politics
Poetries – Politics: A Celebration of Language, Art, and Learning celebrates the best of innovative humanities pedagogy and creative graphic design. Designed and implemented during a time of political divisiveness, the Poetries – Politics project created a space of inviting, multilingual walls on the Rutgers campus, celebrating diversity, community, and cross-cultural exchange. This book, like the original project, provides a platform for the incredible generative power of student-led work. Essays feature the perspectives of three students and professors originally involved in the project, reflecting on their learning and exploring the works they selected for the original exhibition. The essays lead to a beautifully illustrated catalogue of the original student designs. Reproduced in full color and with the accompanying poems in both their original language and a translation, this catalogue commemorates the incredible creative spirit of the project and provides a new way of contemplating these great poetic works.
Remapping African Literature
This book is an exploration of the material conditions of the production of African literature. Drawing on the archives of Heinemann’s African Writers Series, it highlights the procedures, relationships, demands, ideologies, and counterpressures engendered by the publication of three major authors: Chinua Achebe, Wole Soyinka, and Ngugi wa Thiongo. As a study of the history and techniques of African literary texts, this book advances a theory of reciprocity of effects - what it terms 'auto-heteronomy' - to describe the dynamic of formalist activism by which texts anticipate and shape the forces of literary production in advance. It serves as a departure from the 'death of the author' thesis by reconsidering the role of the author in African literature and culture industry, as well as the influence of African publics on writers’ aesthetic choices, and on the overall processes of production. This work is a major contribution to African literary history, literary criticism, and book history.
Rainbow in My Heart
The moon comes out like a dot and emboldens one to move into a universal light with periodic renewal. Basit Olatunji's evolution with this piece has a similar metamorphosis with the moon. Perhaps, the fact that both deal with the principles of space is one reason for both to follow the same process. The colours of rainbow are said to be seven, but are they? Do we have to differentiate between blue and purple, orange and yellow? Yes, a combination of two gives birth to one and more and more. Thus, in a rainbow, colours are buried in other colours, giving birth to more colours. So the genre employed by Olatunji is the very best medium for the depth of messages carried in his rainbow heart. The...
The Routledge Handbook of the New African Diasporic Literature
The Routledge Handbook of the New African Diasporic Literature introduces world literature readers to the transnational, multivocal writings of immigrant African authors. Covering works produced in Europe, North America, and elsewhere in the world, this book investigates three major aesthetic paradigms in African diasporic literature: the Sankofan wave (late 1960s–early 1990s); the Janusian wave (1990s–2020s); and the Offshoots of the New Arrivants (those born and growing up outside Africa). Written by well-established and emerging scholars of African and diasporic literatures from across the world, the chapters in the book cover the works of well-known and not-so-well-known Anglophone, ...
Digest of Judgements of the Supreme Court of Nigeria
The Digest of Judgments of the Supreme Court of Nigeria (DJSCN), is a legal practice book, which is a comprehensive compendium of Nigerian case law at the apex level of the Nigerian Judiciary. The DJSCN, is produced in four volumes which comprise the judgments of the Supreme Court of Nigeria for over a period of forty-three years. The first and second volumes cover the judgments of the Supreme Court on Practice and Procedure, Courts, Criminal Law and Procedure and Evidence. The last two volumes cover contemporary issues in different branches of law.
Relocating Agency
2003 CHOICE Outstanding Academic Title Combining a sustained critical engagement of Anglo-American theory with focused close-readings of major African writers, this book performs a long-overdue cross-fertilization of ideas among poststructuralism, postcolonial theory, and African literature. The author examines several influential figures in current theory such as Habermas, Althusser, Laclau and Mouffe, as well as the theorists of postcolonialism, and offers an extended reading of the Nigerian writers D.O. Fagunwa, Wole Soyinka, Amos Tutuola, and Chinua Achebe. He argues that contrary to what the purism and voluntarism common to postcolonial theory might suggest, one lesson of African letters is that significant agency can result from acts that are blind to their determinations. For George, African letters offer an instance of "agency-in-motion," as opposed to agency in theory.
