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"NO STONE" is an annual series of interviews with individuals who have interacted with Studio JOJ. "VOLUME ONE" focuses on people who have charted their own creative courses in life, be it by Futurism, Architecture, Design, or otherwise. Joe Jacobson interviews these self-starting thinkers and makers, while reflecting on the common truths behind seemingly opposing views on professionalism. It's edgy, it's creative. You'll dig it.
Architects imagine the planet: fifty speculative world-scale projects from Patrick Geddes, Alison and Peter Smithson, Kiyonori Kikutake, Juan Navarro Baldeweg, Luc Deleu, and others. The world's growing vulnerability to planet-sized risks invites action on a global scale. The World as an Architectural Project shows how for more than a century architects have imagined the future of the planet through world-scale projects. With fifty speculative projects by Patrick Geddes, Alison and Peter Smithson, Kiyonori Kikutake, Saverio Muratori, Takis Zenetos, Sergio Bernardes, Juan Navarro Baldeweg, Luc Deleu, and many others, documented in text and images, this ambitious and wide-ranging book is the f...
The Optimum Imperative examines the multiple ways that architecture was entangled within the problem of Socialist lifestyle in Czechoslovakia.
Biodesign in the Age of Artificial Intelligence: Deep Green investigates the potential of nature-based technology for shaping the evolution of contemporary architecture and design. It takes on the now pervasive topic of design intelligence, extending its definition to encompass both biological and digital realms. As in their first title, Systemic Architecture: Operating Manual for the Self-Organizing City, the authors engage the topic through the specific lens of their innovative design practice, ecoLogicStudio, and their research at the University of Innsbruck and at the Bartlett, UCL. Part One of the book, entitled PhotoSyntheticaTM, illustrates design solutions that engage the urban micro...
As the world confronts the fast catastrophe of Covid and the slow calamity of climate change, we also face a third, less visible emergency: a crisis of imagination. We can easily picture ecological disaster or futures dominated by technology. But we struggle to imagine a world in which people thrive and where we improve our democracy, welfare, neighbourhoods or education. Many are resigned to fatalism—yet they desperately want transformational social change. This book argues that, although the threats are real, we can use creative imagination to achieve a better future: visualising where we want to go and how to get there. Political and social thinker Geoff Mulgan offers lessons we can learn from the past, and methods we can use now to open up thinking about the future and spark action. Drawing on social sciences, the arts, philosophy and history, Mulgan shows how we can recharge our collective imagination. From Socrates to Star Wars, he provides a roadmap for the future.
The definitive history of Yiddish cinema returns to print with additional material
How architecture in Belgium, from its very beginnings, has epitomized modernity and singularity. Since the foundation of the country in 1830, architecture in Belgium has been an expression of the key issues of modern Western societies. In Something Completely Different, Christophe Van Gerrewey uses this small European country as a case study to describe, interpret, and criticize more universal spatial problems and behaviors. In seven wide-ranging essays, he looks at the activities of architects from the past two centuries to better understand political evolutions, social gaps, aesthetic considerations, housing and planning, transport and infrastructure, order and chaos, and culture and ecolo...
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As a metaphor, the island has been a fecund source of inspiration across many domains. Yet the concept seems to contradict trends toward interconnectedness in the geographic and design fields. An "atlas" of islands, New Geographies, 8 explores the new limits of islandness and gathers examples to reassert its relevance for design disciplines.