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La finta cameriera
  • Language: en
  • Pages: 304

La finta cameriera

  • Type: Book
  • -
  • Published: 1979
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  • Publisher: Unknown

None

Temistocle, Excerpts. Arr, S, orch, org - BSB Mus.ms. 5006
  • Language: la
  • Pages: 21

Temistocle, Excerpts. Arr, S, orch, org - BSB Mus.ms. 5006

  • Type: Book
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  • Published: 1750
  • -
  • Publisher: Unknown

None

Antonio Salieri and Viennese Opera
  • Language: en
  • Pages: 688

Antonio Salieri and Viennese Opera

Publisher Description

Bd. 2 U. 3 Mit Dem Zusatz: 1614 - 1780
  • Language: en
  • Pages: 335

Bd. 2 U. 3 Mit Dem Zusatz: 1614 - 1780

  • Type: Book
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  • Published: 2006-01-01
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  • Publisher: BWV Verlag

None

The Grove Book of Opera Singers
  • Language: en
  • Pages: 649

The Grove Book of Opera Singers

  • Type: Book
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  • Published: 2008
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  • Publisher: Unknown

Covering over 1500 singers from the birth of opera to the present day, this marvelous volume will be an essential resource for all serious opera lovers and an indispensable companion to the enormously successful Grove Book of Operas. The most comprehensive guide to opera singers ever produced, this volume offers an alphabetically arranged collection of authoritative biographies that range from Marion Anderson (the first African American to perform at the Met) to Benedict Zak (the classical tenor and close friend and colleague of Mozart). Readers will find fascinating articles on such opera stars as Maria Callas and Enrico Caruso, Ezio Pinza and Fyodor Chaliapin, Lotte Lehmann and Jenny Lind,...

The Basilica of S. Mark in Venice
  • Language: en
  • Pages: 984

The Basilica of S. Mark in Venice

  • Type: Book
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  • Published: 1888
  • -
  • Publisher: Unknown

None

Musical Biography: Volume 2
  • Language: en
  • Pages: 409

Musical Biography: Volume 2

Published in 1814, this two-volume compilation covers chiefly Italian, German and British musicians of the sixteenth, seventeenth and eighteenth centuries.

Opera and Vivaldi
  • Language: en
  • Pages: 409

Opera and Vivaldi

From the New York Times review of the Dallas Opera's performance of Orlando furioso and the international symposium on Baroque opera: ". . . it was a serious, thoughtful, consistent and imaginative realization of a beautiful, long-neglected work, one that fully deserved all the loving attention it received. As such, the production and its attendant symposium made a positive contribution to the cause of Baroque opera . . . . " Baroque opera experienced a revival in the late twentieth century. Its popularity, however, has given rise to a number of perplexing and exciting questions regarding literary sources, librettos, theater design, set design, stage movement, and costumes—even the editing...