You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
This ground-breaking book situates research at the heart of photographic practice, asking the key question: What does research mean for photographers? Illuminating the nature and scope of research and its practical application to photography, the book explores how research provides a critical framework to help develop awareness, extend subject knowledge, and inform the development of photographic work. The authors consider research as integral to the creative process and, through interviews with leading photographers, explore how photographers have embedded research strategies into their creative practice.
"El propósito de la exposición es dar a conocer al público mexicano instalaciones y arte-objeto de latinoamérica, obras producidas en su mayor parte durante el último decenio por artistas de dicha región, pues aunque anteriormente se habían presentado en el país muestras dedicadas al arte de América Latina, esta es la primera exhibición de gran magnitud enfocada a tema, y con ella intentamos ofrecer un panorama del arte contemporáneo de esta parte del continente."--P. 8.
None
None
During the early 1990s, Shaffran established himself as one of the most respected fashion photographers in the UK. His more recent work is characterised by quiet observation of daily life, often focusing on domestic subject matter.
This monograph is the first in a series aimed at presenting through a new perspective the life and works of the pillars of Brazilian modernism, devoting this edition to the most quintessential of modern Brazilian painters: artist Di Cavalcanti (1897-1976) on the occasion of the 30th anniversary of his death. The book analyses the meaning and techniques of the dense poetic and frequent sensual atmosphere of his artwork and his unmistakable contribution to Brazilian art, presenting the artist's works grouped by themes and organized in chronological order, covering from the brilliant humor of his caricatures through his refined drawings, portraits, book illustrations, still-life and landscape canvas, and paintings of religious, folklore and Brazilian traditions. The book accompanied a correlate exhibition.
A series of chronologically ordered photographs taken between 1995 and 26th January 2004, the book takes the form of a novel without words. The sequence shows Ruth, first at the end of the telephone receiver, later on a cordless phone, the one constant as time and place change around her. Photographs by Nigel Shafran.