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Provides biographical and career information on more than 350 of the world's most prominent and influential contemporary (20th century) women artists. Includes visual art in the following media: painting, sculpture, drawing, printmaking, collage, photography, ceramics, mixed media, electronic media, performance art, video, design, and graphic arts.
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First Published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
"I had a small shack in field next to the alder grove when I lived in Muir Beach. We called it the Goddess Factory. This was my studio where I printed so many of my Goddesses. It became the theme of my major work. People always ask me, "Why do you paint Goddesses?" I used to say, "Because I was born as a woman." Now I know that the time we live in needs much more femininity. In order to know that part of myself, I kept creating; big, small, medium Goddesses. Like the Buddhist bodhisattva images that I created, they reflect what I was experiencing or struggling with at the time in my life, sometimes gentleness, sometimes clarity. I was inspired by all Goddesses from many civilizations, not just Buddhist or Japanese." Mayumi Oda's biography of growing up in Japan and becoming an artist in the United States. This book is written bilingually in Japanese and in English with 33 colored illustrations.
In Anarchy of the Body, art historian KuroDalaiJee sheds light on vital pieces of postwar Japanese avant-garde history by contextualizing the social, cultural, and political trajectories of artists across Japan in the 1960s. A culmination of years of research, Anarchy of the Body draws on an extensive breadth of source material to reveal how the practice of performance by individual artists and art groups during this period formed a legacy of resistance against institutionalization, both within the art world and more broadly in Japanese society. This book contains 256 high-quality reproductions, including rare performance photographs not readily accessible elsewhere, as well as a comprehensi...
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