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Triguna
This book combines ethnography, philosophy, and musical analysis for an in-depth look into the social context and musical praxis of gamelan gong gede, the largest gamelan orchestra of bronze gongs and percussion on the island of Bali. The Hindu-Balinese notion of three human qualities called triguna serves as an interpretive framework for categorizing the musical repertoire, according to both widespread religious knowledge and more esoteric wisdom. (Series: KlangKulturStudien/SoundCultureStudies - Vol. 2)
Gamelan Gong Kebyar
The Balinese gamelan, with its shimmering tones, breathless pace, and compelling musical language, has long captivated musicians, composers, artists, and travelers. Here, Michael Tenzer offers a comprehensive and durable study of this sophisticated musical tradition, focusing on the preeminent twentieth-century genre, gamelan gong kebyar. Combining the tools of the anthropologist, composer, music theorist, and performer, Tenzer moves fluidly between ethnography and technical discussions of musical composition and structure. In an approach as intricate as one might expect in studies of Western classical music, Tenzer's rigorous application of music theory and analysis to a non-Western orchestral genre is wholly original. Illustrated throughout, the book also includes nearly 100 pages of musical transcription (in Western notation) that correlate with 55 separate tracks compiled on two accompanying compact discs. The most ambitious work on gamelan since Colin McPhee's classic Music in Bali, this book will interest musicians of all kinds and anyone interested in the art and culture of Southeast Asia, Indonesia, and Bali.
Gamelan Gong Luang
None
Balinese Gamelan Music
With extensive photographs and an audio CD, this guide to Balinese music showcases the history, culture and art of the gamelan ceremony. Bali has developed and nourished an astonishing variety of musical ensembles--called gamelan--comprising dozens of instruments mainly made of bronze or bamboo, and organized into groups with as many as 30 to 40 players. In Balinese Gamelan Music, Michael Tenzer, a noted Professor of Music at the University of British Columbia, Vancouver, presents an introduction to many types of Balinese gamelan ensembles, each with its own established tradition, repertoire and context. The instruments and basic principles underlying the music are introduced, providing list...
Gamelan
Gamelan: The Traditional Sounds of Indonesia provides an introduction to present-day Javanese, Balinese, Cirebonese, and Sundanese gamelan (gong chime orchestra) music through ethnic, social, cultural, and global perspectives. Deemphasizing potentially intimidating technical discussions of scales and models, this unique work focuses on the approaches to composing and playing gamelan music and how they relate to cultural and personal values.||An introduction to Southeast Asian geography and history leads to a discussion of the different gamelan traditions in Bali and Java. A chapter on music an.
Gamelan Bali
Balinese Gamelan.
Balinese Music
A tight interaction of melodic, rhythmic and textural components sustains the powerful orchestral gamelan music of Bali. The building blocks of the music share many traits with the larger social organization of Balinese villages, which provide a compelling setting for music that is an integral part of daily life. The primary function of music in Bali is to accompany ritual activity, but it is performed in many recreational contexts also. The instruments, most often made from bronze or bamboo, are organized into ensembles and tuned according to a set of flexibly interpreted standards. Villages may maintain one or several types of gamelan and use each for a ritually predetermined set of occasi...
Gamelan Gong Luang
None
Music of Death and New Creation
The accompanying CD contains music excerpts which are listed in the book on pgs. xiii-xvii.
