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The Origins of Oṃ Maṇipadme Hūṃ
Oṃ Maṇipadme Hūṃ, perhaps the most well-known of all Buddhist mantras, lies at the heart of the Tibetan system and is cherished by both layman and lama alike. This book documents the origins of the mantra, and presents a new interpretation of the meaning of Oṃ Maṇipadme Hūṃ, and includes a detailed, annotated precis of the Kāraṇḍavyūha Sūtra, opening up this important Mahayana Buddhist work to a wider audience. The Kāraṇḍavyūha— the earliest textual source for Oṃ Maṇipadme Hūṃ—which describes both the compassionate activity of Avalokiteśvara, the bodhisattva whose power the mantra invokes, and the mythical tale of the search for and discovery of the man...
Tantra
Bhadriraju Krishnamurti (1928) is Professor and Head of the department of Linguistics at Osmania University, Hyderabad. He received a B.A. (Hons.) Degree (1948) in Telugu language and literature at Andhra University Waltair and an M.A. (1955) and Ph.D. (1957) in linguistics from the university of Pennsylvania U.S.A.
God of Desire
Presents Kamadeva, the Hindu god of desire, in tales, art, and ritual. Also covers Kamadeva's appearance in Buddhist lore.
The Purāṇas
None
Ritual, State and History in South Asia
The contributions in this Festschrift extend over the whole range of Indian civilization: in the first part the earlier stages of Indian history spanning the period from the Indus civilization up to medieval times, and in the second part the more recent history of South Asia.
Hindu Theology in Early Modern South Asia
Focusing on the idea of genealogical affiliation (sampradaya), Kiyokazu Okita explores the interactions between the royal power and the priestly authority in eighteenth-century north India. He examines how the religious policies of Jaisingh II (1688-1743) of Jaipur influenced the self-representation of Gaudiya Vaisnavism, as articulated by Baladeva Vidyabhusana (ca. 1700-1793). Gaudiya Vaiisnavism centred around God Krsna was inaugurated by Caitanya (1486-1533) and quickly became one of the most influential Hindu devotional movements in early modern South Asia. In the increasingly volatile late Mughal period, Jaisingh II tried to establish the legitimacy of his kingship by resorting to a mor...
Studies in Hindu and Buddhist Art
It Is A Collection Of Thirty Essays On Various Aspects Of Hindu And Buddhist Art And Iconography Contributed By Indian And Foreign Scholars. These Represent Deep Insight And New Interpretation Based On Sound Scholarship And Accounts. While Intended To Commemorate The Loving Memory Of Professor Kalyan Kumar Dasgupta, The Book Is A Fitting Tribute To The Great Savant. Professor P.K. Mishra And Publisher M/S Abhinav Publications Have Spared No Pains To Make It An Outstanding Publication Of The Year
Was Hinduism Invented?
Drawing on a large body of previously untapped literature, including documents from the Church Missionary Society and Bengali newspapers, Brian Pennington offers a fascinating portrait of the process by which "Hinduism" came into being. He argues against the common idea that the modern construction of religion in colonial India was simply a fabrication of Western Orientalists and missionaries. Rather, he says, it involved the active agency and engagement of Indian authors as well, who interacted, argued, and responded to British authors over key religious issues such as image-worship, sati, tolerance, and conversion.
The Other Ramayana Women
This book is the first to present current scholarship on gender and in regional and sectarian versions of the Rāmāyaṇa. Contributors explore in what ways the versions relate to other Rāmāyaṇa texts as they deal with the female persona and the cultural values implicit in them. Using a wide variety of approaches, both analytical and descriptive, the authors discover common ground between narrative variants even as their diversity is recognized. It offers an analysis in the shaping of the heterogeneous Rāma tradition through time as it can be viewed from the perspective of narrating women's lives. Through the analysis of the representation and treatment of female characters, narrative inventions, structural design, textual variants, and the idiom of composition and technique in art and sculpture are revealed and it is shown what and in which way these alternative versions are unique. A sophisticated exploration of the Rāmāyaṇa, this book is of great interest to academics in the fields of South Asian Studies, Asian Religion, Asian Gender and Cultural Studies.
