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Approaches to Teaching the Works of Inca Garcilaso de la Vega
The author of Comentarios reales and La Florida del Inca, now recognized as key foundational works of Latin American literature and historiography, Inca Garcilaso de la Vega was born in 1539 in Cuzco, the son of a Spanish conquistador and an Incan princess, and later moved to Spain. Recalling the family stories and myths he had heard from his Quechua-speaking relatives during his youth and gathering information from friends who had remained in Peru, he created works that have come to indelibly shape our understanding of Incan history and administration. He also articulated a new American identity, which he called mestizo. This volume provides guidance on the translations of Garcilaso's writings and on the scholarly reception of his ideas. Instructors will discover ideas for teaching Garcilaso's works in relation to indigenous thought, European historiography, natural history, indigenous religion and Christianity, and Incan material culture. In essays informed by postcolonial and decolonial perspectives, scholars draw connections between Garcilaso's writings and contemporary issues like migration, multiculturalism, and indigenous rights.
Beyond Books and Borders
La Florida del Inca (Lisbon, 1605) is a key text in the history and culture of the Americas. In this chronicle, its author, Inca Garcilaso de la Vega, born in Cuzco, the son of an Inca princess and a Spanish conquistador, offers a unique representation of Hernando de Soto's expedition (1539-43) to the vast territory then known as La Florida. The studies collected here analyze the period of early contact in La Florida, study the chronicle of the Cuzcan writer and the works that influenced it, with the objective of affirming its central place in colonial, cultural, and transatlantic studies and its importance in understanding the intertwined history of the Americas. An introduction, a chronology, a general bibliography, and fifty-six images offer a frame for these sections. The various essays are written in a direct manner, and are free of jargon with the aim of attracting both general and academic readers. Raquel Chang-Rodriguez is Distinguished Professor of Hispanic Literature and Culture at the City University of New York.
Garcilaso de la Vega
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Garcilaso de la Vega and the Material Culture of Renaissance Europe
Garcilaso de la Vega and the Material Culture of Renaissance Europe examines the role of cultural objects in the lyric poetry of Garcilaso de la Vega, the premier poet of sixteenth-century Spain. As a pioneer of the new poetry of Renaissance Europe, aligned with the court, empire, and modernity, Garcilaso was fully attuned to the collection and circulation of luxury artefacts and other worldly goods. In his poems, a variety of objects, including tapestries, paintings, statues, urns, mirrors, and relics participate in lyric acts of discovery and self-revelation, reveal memory as contingent and unstable, expose knowledge of the self as deceptive, and show how history intersects with the ideology of empire. Mary E. Barnard's study argues persuasively that the material culture of early sixteenth-century Europe embedded within Garcilaso's poems offers a key to understanding the interplay between objects and texts that make those works such vibrant inventions.
The Incas
History of the Incas written in the sixteenth to seventeenth centuries by the son of an Incan princess and a Spanish Conquistador.
Selected Poems of Garcilaso de la Vega
Garcilaso de la Vega (ca. 1501–36), a Castilian nobleman and soldier at the court of Charles V, lived a short but glamorous life. As the first poet to make the Italian Renaissance lyric style at home in Spanish, he is credited with beginning the golden age of Spanish poetry. Known for his sonnets and pastorals, gracefully depicting beauty and love while soberly accepting their passing, he is shown here also as a calm student of love’s psychology and a critic of the savagery of war. This bilingual volume is the first in nearly two hundred years to fully represent Garcilaso for an Anglophone readership. In facing-page translations that capture the music and skill of Garcilaso’s verse, John-Dent Young presents the sonnets, songs, elegies, and eclogues that came to influence generations of poets, including San Juan de la Cruz, Luis de Leon, Cervantes, and Góngora. The Selected Poems of Garcilaso de la Vega will help to explain to the English-speaking public this poet’s preeminence in the pantheon of Spanish letters.
