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George Sigerson
Born in 1836 near Strabane, Co. Tyrone, George Sigerson was educated in Paris and University College, Cork, where he studied medicine. Douglas Hyde's hope that the Irish people would never forget the memory of this great man will at last be fulfilled with the publication of this biography.
Bards of the Gael and Gall
Book contains agenda and abstracts/papers of presentation given at OITAF-NACS symposium the Alyeska resort in Alaska. (jvl).
Joyce, Race, and Empire
In this first full-length study of race and colonialism in the works of James Joyce, Vincent J. Cheng argues that Joyce wrote insistently from the perspective of a colonial subject of an oppressive empire, and that Joyce's representations of 'race' in its relationship to imperialism constitute a trenchant and significant political commentary, not only on British imperialism in Ireland, but on colonial discourses and imperial ideologies in general. Exploring the interdisciplinary space afforded by postcolonial theory, minority discourse, and cultural studies, and articulating his own cross-cultural perspective on racial and cultural liminality, Professor Cheng offers a ground-breaking study of the century's most internationally influential fiction writer, and of his suggestive and powerful representations of the cultural dynamics of race, power, and empire.
Irish Writers and Religion
Irish writing has been influenced by religion from the beginning; indeed it was the arrival of Christianity which brought Latin orthography, which men of learning adopted. Pagan beliefs were assimilated into Christianity, but not entirely so: a theme which is dealt with in the essay on writing in early Ireland. The relationship between the various Irish Churches and writers in the 18th and 19th centuries is examined as is the influence of folk religion in modern Irish literature. There follow essays on: ghosts, Yeats, Synge, Joyce and Beckett; and on the poets Macneice, Kavanagh and Desmond Egan. Contributors: Lance St. John Butler; Peter Denman; Desmond Egan; Ruth Fleischmann; A. M. Gibbs; Barbara Hayley; Eamonn Hughes; Anne McCartney; Seamus MacMathuna; Joseph McMinn; Nuala ni Dhomhnaill; Mitsuko Ohno; Daithi O Hogain; Alan Peacock; Patricia Rafroidi and Robert Welch. Irish Literary Studies Series No. 37.
Celts, Romans, Britons
This book investigates the ways in which ideas associated with the Celtic and the Classical have been used to construct identities (national/ethnic/regional etc.) in Britain, from the period of the Roman conquest to the present day.
Extraordinary Aesthetes
The fin de siècle not only designated the end of the Victorian epoch but also marked a significant turn towards modernism. Extraordinary Aesthetes critically examines literary and visual artists from England, Ireland, and Scotland whose careers in poetry, fiction, and illustration flourished during the concluding years of the nineteenth century. This collection draws special attention to the exceptional contributions that artists, poets, and novelists made to the cultural world of the late 1880s and 1890s. The essays illuminate a range of established, increasingly acknowledged, and lesser-known figures whose contributions to this brief but remarkably intense cultural period warrant close at...
The Maunsel Poets, 1905-1926
In the thirty years covered by this anthology, Maunsel & Co. published many major Irish poets who are part of the master narrative (Yeats, Gregory, Stephens etc.) but also 500 separate inclusions by lesser known or unknown poets. Professor Gardiner, head of Irish Studies at Creighton University, has rediscovered some important voices from the Celtic Twilight and reassesses their importance in light of Irish literary development.
Silence in Modern Irish Literature
Silence in Modern Irish Literature is the first book to focus exclusively on the treatment of silence in modern Irish literature. It reveals the wide spectrum of meanings that silence carries in modern Irish literature: a mark of historical loss, a form of resistance to authority, a force of social oppression, a testimony to the unspeakable, an expression of desire, a style of contemplation. This volume addresses silence in psychological, ethical, topographical, spiritual and aesthetic terms in works by a range of major authors including Yeats, Joyce, Beckett, Bowen and Friel.
Transactions of the Ossianic Society
Volumes 1-6 include the 1st-8th annual report of the society.
