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If terms are associated with particular historical periods, then ’polemic’ is firmly rooted within early modern print culture, the apparently inevitable result of religious controversy and the rise of print media. Taking a broad European approach, this collection brings together specialists on medieval as well as early modern culture in order to challenge stubborn assumptions that medieval culture was homogenous and characterized by consensus; and that literary discourse is by nature ’eirenic’. Instead, the volume shows more clearly the continuities and discontinuities, especially how medieval discourse on the sins of the tongue continued into early modern discussion; how popular and...
This indispensable introductory guide offers students a number of highly focused chapters on key themes in Restoration history. Each addresses a core question relating to the period 1660-1714, and uses artistic and literary sources – as well as more traditional texts of political history – to illustrate and illuminate arguments. George Southcombe and Grant Tapsell provide clear analyses of different aspects of the era whilst maintaining an overall coherence based on three central propositions: - 1660-1714 represents a political world fundamentally influenced by the civil wars and interregnum - The period can best be understood by linking together types of evidence too often separated in conventional accounts - The high politics of kings and their courts should be examined within broader social and geographical contexts Featuring chapters on the exclusion crisis, Charles II and James VII/II, as well as the British dimension, restoration culture, and politics out-of-doors, this is essential reading for anyone studying this fascinating period in British history.
Shakespeare’s Shrews: Italian Traditions of Paradoxes and the Woman’s Debate investigates the echoes of two early modern discourses—paradoxical writing and the woman’s question or querelle des femmes—in the representation of the “Shakespearean shrew” in The Taming of the Shrew, Much Ado About Nothing, and Othello. This comparative cross‐cultural study explores the English reception of these traditions through the circulation, translation, and adaptation of Italian works such as Ludovico Ariosto’s Orlando Furioso, Baldassare Castiglione’s Il libro del cortegiano, and Ercole and Torquato Tasso’s Dell’ammogliarsi. The enticing interplay of these two discourses is further complicated by their presence in the writing of early modern male and female authors. The examination of Shakespeare’s adaptation of these traditions in his “shrew” character highlights two key findings: the thematic fragmentation of the woman’s question and the evolving role of paradoxes, from figures of speech to “figures of thought”, both influenced by the gender of the speaker.
Linda Stone’s analysis of the anti-Jewish polemic present in three closely-linked twelfth-century Psalms glosses brings a new source to the study of medieval Christian-Jewish relations. She reveals how its presence, within the parva, media and magna glosses compiled respectively, by Anselm of Laon, Gilbert of Poitiers and Peter Lombard, illuminates the various societal challenges facing the twelfth-century Church. She shows that, rather than a twelfth-century phenomenon, using such anti-Jewish terminology in Christian Psalms exegesis was a long-standing reflection of Christianity’s ambivalence towards Judaism. Moreover, demonstrating how her analysis of anti-Jewish terminology unravelled the Psalm glosses’ textual relationships, she suggests that analysis of its presence in other glossed books of the Bible could offer a further resource for uncovering their complexities.
The voices of non-conformity are brought to the fore in this new exploration of late seventeenth-century politics, religion and literature. 2022 Richard L. Greaves Prize Honourable Mention Whilst scholars have recently offered a much deeper and more persuasive account of the centrality of religious issues in shaping the political and cultural worlds of Restoration England, much of this has been broad-brush and the voices of individual established Church figures have been much more clearly heard than those of dissenters. This book offers a fresh and challenging new approach to the voices that the confessional state had no prospect of silencing. It provides case studies of a range of very diff...
Sir Simonds D’Ewes, a seventeenth-century gentleman bred in Dorset, but ultimately shaped by a deep and lasting love for Suffolk, was not destined for greatness. Nor did he have greatness thrust upon him in his short lifetime. Yet this was hardly the point. Son to a respectable family, D’Ewes rose through local, legal and political ranks to become a first-hand witness to a succession of monumental events in England. As MP for Sudbury from 1640, he was one of those who saw with agonising immediacy – from the benches of Westminster – the rapid decline of the political situation in the mid-1600s. Simonds held his breath along with the rest when Charles I forcibly entered the Commons in ...
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