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Geraldine Roberts Interview
Describes her upbringing and limited education in rural Arkansas. Explains how and why she organized the DWA. Discusses the union's scope, sources of funding, its goals and programs for the economic empowerment of its membership, and its accomplishments and challenges. No tape available. Interviewer: Malaika Lumumba.
Oral History Interview with Geraldine Roberts
In 1976, the Institute of Labor and Industrial Relations of the University of Michigan and Wayne State University conducted oral history interviews with trade-union women. Major subjects covered were: women in trade- unions, wages and benefits, working conditions, and social issues.
The Supreme Lie
Twice Carnegie medal winning Geraldine McCaughrean's enthralling new novel is set in a world paralysed by natural disaster and dangerous lies. Fifteen-year-old Gloria is maid to Afalia's tyrannical Head of State, Madame Suprema. When the country is hit by unprecedented flooding, Madame Suprema runs away, fearing she will be blamed for the crisis. To cover up this cowardly act, Gloria is made to step into Madame Suprema's shoes and is thrust into a world of corrupt and desperate politicians. As Gloria becomes aware of the forces toying with her every move, she must take decisions that could save, or end, thousands of lives - including her own... A brilliant and darkly funny commentary on our present times by one of our greatest writers.
Wild Children
Bad children are punished. Be bad, a child is told, and you’ll be turned into an animal, marked with your crime. The Wild Children are forever young, but that, too, can be a curse. Five children each tell a different story of what they became: One learns that wrong can be right, and her curse may be a blessing. Another is so Wild he must learn the simplest lesson, to love someone else. An eight-year-old girl must face fear and doubt as she dies of old age. Love and strangeness hit the lives of two brothers in the form of a beautiful flaming bird. Finally, the oldest child learns that what is right can be horribly wrong. Together they tell a sixth story, of a Wild Girl who can’t speak for herself, and doesn’t seem Wild at all.
The Great American Whatever
"Teenaged Quinn, an aspiring screenwriter, copes with his sister's death while his best friend forces him back out into the world to face his reality"--
Horse
A discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history 'I loved this book so much' ANN PATCHETT 'Brilliantly varied and with a galloping pace' MAIL ON SUNDAY 'A masterpiece' JANE SMILEY 'Thrilling' NEW YORK TIMES Kentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamour of any racetrack. Washington, DC, ...
Wanstead House
In c.1713, Sir Richard Child, heir to a mercantile fortune, commissioned Colen Campbell, to build Wanstead House, ‘one of the noblest houses, not only in England, but in Europe’. Campbell’s innovative classical façade was widely influential and sowed the seeds for English Palladianism. Its opulent interior by William Kent was equal to Kensington Palace and its extensive gardens were attributed to leading landscape designers George London and Humphry Repton. Wanstead’s glory days came to an end in 1822, when a major sale of its contents was arranged to pay off financial debts. Two years later the house was demolished, its building fabric dispersed far and wide. A large crater on an east London golf course is all that remains of this once ‘princely mansion’. Based on scholarly research, Wanstead House: East London’s Lost Palace provides the first illustrated history of the lost Georgian estate, charting the meteoric rise and fall of the Child dynasty. By restoring Wanstead’s reputation amongst the leading houses of the era, this book demonstrates that those lost in actuality, should by no means be lost to history.
John Wayne
"John Wayne remains a constant in American popular culture. Middle America grew up with him in the late 1920s and 1930s, went to war with him in the 1940s, matured with him in the 1950s, and kept the faith with him in the 1960s and 1970s. . . . In his person and in the persona he so carefully constructed, middle America saw itself, its past, and its future. John Wayne was his country’s alter ego." Thus begins John Wayne: American, a biography bursting with vitality and revealing the changing scene in Hollywood and America from the Great Depression through the Vietnam War. During a long movie career, John Wayne defined the role of the cowboy and soldier, the gruff man of decency, the hero who prevailed when the chips were down. But who was he, really? Here is the first substantive, serious view of a contradictory private and public figure.
Advertising and Public Memory
This is the first scholarly collection to examine the social and cultural aspects on the worldwide interest in the faded remains of advertising signage (popularly known as ‘ghost signs’). Contributors to this volume examine the complex relationships between the signs and those who commissioned them, painted them, viewed them and view them today. Topics covered include cultural memory, urban change, modernity and belonging, local history and place-making, the crowd-sourced use of online mobile and social media to document and share digital artefacts, ‘retro’ design and the resurgence in interest in the handmade. The book is international and interdisciplinary, combining academic analysis and critical input from practitioners and researchers in areas such as cultural studies, destination marketing, heritage advertising, design, social history and commercial archaeology.
