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The revised and enlarged edition of the first comprehensive English-language study of the work of Heiner Muller, widely regarded as Bertolt Brecht's spiritual heir and as one of the most important German playwrights of the twentieth century. "Kalb's quest to try and penetrate some of the surfaces of what he calls this 'glacially infuriating writer' is engrossing, and he negotiates his own ambivalences and reservations about Muller as theatre-maker and man with both honesty and adroitness...As a piece of scholarship [this] is a breathtaking tour de force." -Mary Luckhurst, New Theatre Quarterly
This four volume set provides the complete proceedings of the 10th International Conference on Human-Computer Interaction held June, 2003 in Crete, Greece. A total of 2,986 individuals from industry, academia, research institutes, and governmental agencies from 59 countries submitted their work for presentation at the conference. The papers address the latest research and development efforts, as well as highlight the human aspects of design and use of computing systems. Those accepted for presentation thoroughly cover the entire field of human-computer interaction, including the cognitive, social, ergonomic, and health aspects of work with computers. The papers also address major advances in knowledge and effective use of computers in a variety of diversified application areas, including offices, financial institutions, manufacturing, electronic publishing, construction, health care, and disabled and elderly people.
This third volume of ASNEL Papers covers a wide range of theoretical and thematic approaches to the subject of intertextuality. Intertextual relations between oral and written versions of literature, text and performance, as well as problems emerging from media transitions, regionally instructed forms of intertextuality, and the works of individual authors are equally dealt with. Intertextuality as both a creative and a critical practice frequently exposes the essential arbitrariness of literary and cultural manifestations that have become canonized. The transformation and transfer of meanings which accompanies any crossing between texts rests not least on the nature of the artistic corpus e...
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A history of the HRC at the ANU, but also an examination of the role and predicament of the humanities within universities and the wider community, and contributes substantially to the ongoing debate on an Australian identity.
The story of Australian art does not begin and end with landscape. This book puts flowers front and centre, because they have often been ignored in preference for more masculine themes. Departing from where studies of single flower artists leave off, Useless Beauty embraces the general topic of flowers in Australian art and shines new light on a slice of Australian art history that extends from 1880 to 1950. It is the first book of broad chronology to discuss Australian art through blossoms, which it does by addressing stories of major figures including Hans Heysen, Margaret Preston and Sidney Nolan, as well as specific objects such as surreal flowers, Aboriginal flowers and war flowers. Whe...
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