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The Transition to Late Classical Art
  • Language: en
  • Pages: 27

The Transition to Late Classical Art

  • Type: Book
  • -
  • Published: 1939
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  • Publisher: Unknown

None

Chapter 16: The Transition to Late-Classical Art
  • Language: en
  • Pages: 2

Chapter 16: The Transition to Late-Classical Art

  • Type: Book
  • -
  • Published: 1939
  • -
  • Publisher: Unknown

None

Rodenwaldt, Gerhart
  • Language: de

Rodenwaldt, Gerhart

  • Type: Book
  • -
  • Published: Unknown
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  • Publisher: Unknown

None

Gerhart Rodenwaldt: Otto Magnus von Stackelberg
  • Language: de
  • Pages: 4

Gerhart Rodenwaldt: Otto Magnus von Stackelberg

  • Type: Book
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  • Published: 1965
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  • Publisher: Unknown

None

The acropolis, photographed by hege, described by rodenwaldt
  • Language: en

The acropolis, photographed by hege, described by rodenwaldt

  • Type: Book
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  • Published: 1930
  • -
  • Publisher: Unknown

None

Art in the Lives of Ordinary Romans
  • Language: en
  • Pages: 400

Art in the Lives of Ordinary Romans

  • Categories: Art

"Art in the Lives of Ordinary Romans is superbly out of the ordinary. John Clarke's significant and intriguing book takes stock of a half-century of lively discourse on the art and culture of Rome's non-elite patrons and viewers. Its compelling case studies on religion, work, spectacle, humor, and burial in the monuments of Pompeii and Ostia, which attempt to revise the theory of trickle-down Roman art, effectively refine our understanding of Rome's pluralistic society. Ordinary Romans-whether defined in imperialistic monuments or narrating their own stories through art in houses, shops, and tombs-come to life in this stimulating work."—Diana E. E. Kleiner, author of Roman Sculpture "John ...

The Conquest of Ruins
  • Language: en
  • Pages: 633

The Conquest of Ruins

The Roman Empire has been a source of inspiration and a model for imitation for Western empires practically since the moment Rome fell. Yet, as Julia Hell shows in The Conquest of Ruins, what has had the strongest grip on aspiring imperial imaginations isn’t that empire’s glory but its fall—and the haunting monuments left in its wake. Hell examines centuries of European empire-building—from Charles V in the sixteenth century and Napoleon’s campaigns of the late seventeenth and early eighteenth centuries to the atrocities of Mussolini and the Third Reich in the 1930s and ’40s—and sees a similar fascination with recreating the Roman past in the contemporary image. In every case—particularly that of the Nazi regime—the ruins of Rome seem to represent a mystery to be solved: how could an empire so powerful be brought so low? Hell argues that this fascination with the ruins of greatness expresses a need on the part of would-be conquerors to find something to ward off a similar demise for their particular empire.