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For this updated edition of her acclaimed work on historians and historiography, Himmelfarb adds four new essays. In examining the effects of postmodernism, the illusions of cosmopolitanism, A. J. P. Taylor and revisionism, and Fukuyama's "end of history," Himmelfarb enriches her exploration of the ways historians make sense of the past.
A study of intellectuals in crisis and of ideologies in transition, elegant in style and thought. "Few works that I know convey the excitement of the intellectual life of 19th-century England as immediately....The essays are remarkable no less for the cogency of their wit than for the range and precision of their scholarship." --Lionel Trilling.
Where "Victorianism" once conjured up an image of smugness, hypocrisy, and mindlessness, it now suggests quite the reverse: an age of high intellectual, moral, and spiritual tension, in which the typical problems of modernity were posed in their most acute forms. Gertrude Himmelfarb's distinguished piece of intellectual history explores these tensions and problems with sympathy, candor, and critical subtlety. Victorian Minds is a study of intellectuals in crisis and of ideologies in transition, rendered with an elegance of style and thought. "Few works that I know convey the excitement of the intellectual life of 19th-century England as immediately. ... The essays are remarkable no less for the cogency of their wit than for the range and precision of their scholarship"—Lionel Trilling. "Precise and discriminating ... an exemplary study of the 19th century and a superb introduction to the 20th."—Robert A. Nisbet. "Miss Himmelfarb is a writer to whom the organization of ideas into intricate shapes and patterns is imperative, and like many of her subjects-and comparatively few modern intellectuals-she is capable of poised and meaningful generalization."— A. S. Byatt.
Gertrude Himmelfarb's elegant and wonderfully readable work, The Roads to Modernity, reclaims the Enlightenment from historians who have downgraded its importance and from scholars who have given preeminence to the Enlightenment in France over concurrent movements in England and in America. Himmerlfarb demonstrates the primacy and wisdom of the British, exemplified in such thinkers as Adam Smith, David Hume, and Edmund Burke, as well as the unique and enduring contributions of the American Founders. It is their Enlightenments, she argues, that created a social ethic - humane, compassionate and realistic - that still resonates strongly today.
In these provocative essays, one of our most distinguished historians looks into the abyss of the present. Himmelfarb exposes the intellectual and spiritual impoverishment of some of our most fashionable current ideas--and shows how the vogue for historical structuralism has made it possible to trivialize the tragedy of the Holocaust.
It is one of the curiosities of history that the most remarkable novel about Jews and Judaism, predicting the establishment of the Jewish state, should have been written in 1876 by a non-Jew – a Victorian woman and a formidable intellectual, who is generally regarded as one of the greatest of English novelists. And it is still more curious that Daniel Deronda, George Eliot’s last novel, should have been dismissed, by many of her admirers at the time and by some critics since, as something of an anomaly, an inexplicable and unfortunate turn in her life and work. Yet Eliot herself was passionately committed to that novel, having prepared herself for it by an extraordinary feat of scholarly...
In The Moral Imagination, Gertrude Himmelfarb, one of America's most distinguished intellectual historians, explores the minds and lives of some of the most brilliant and provocative thinkers of modern times. In their distinctive ways, she argues, they exemplify what Burke two centuries ago and Trilling most recently have called the "moral imagination." Himmelfarb describes how each of these thinkers, coming from different traditions, responding to different concerns, and writing in different genres, shared a moral passion that permeated their work. It is this passion that makes their reflections--on politics and literature, religion and society, marriage and sex--sometimes unpredictable, often controversial, always exciting, and as illuminating and pertinent today as they were then. The second edition includes a revised introduction and three new essays on Adam Smith, Lord Acton, and Alfred Marshall.
As the debate over values grows ever more divisive, one of the most eminent historians of the Victorian era reminds readers that values are no substitute for virtues--and that the Victorian considered hard work, thrift, respectability, and charity virtues essential to a worthwhile life
In her enduring study of the impact of Darwinism on the intellectual climate of the nineteenth century, Gertrude Himmelfarb brings massive documentation to bear in challenging the conventional view of Darwin's greatness. Touching on biography, history, and philosophy, she traces the origins and development of Darwin's views against the opinions of his time; assesses the influences on him; and shows what he intended his theory to mean, what his readers took it to mean, and what it has in fact meant. By such a route Ms. Himmelfarb recaptures "a sense of how a scientist, with the most innocent of intentions and the best of faith, can give birth to a theory that has an ancestry and a posterity of which he may be ignorant and a life of its own over which he has no control. "A thorough and masterly book punctuated with a delicate sense of humor.... Until he has read, marked, learnt and inwardly digested this authoritative volume, no one should presume henceforth to speak on Darwin and Darwinism." Times Literary Supplement "An illuminating contribution...a dramatic story."--Yale Review "Absorbing, well written, and splendidly organized."--I. Bernard Cohen
From one of today's most respected historians and cultural critics comes a new book examining the gulf in American society--a division that cuts across class, racial, ethnic, political and sexual lines. One side originated in the tradition of republican virtue, the other in the counterculture of the late 1960s. Himmelfarb argues that, while the latter generated the dominant culture of today-particularly in universities, journalism, television, and film--a "dissident culture" continues to promote the values of family, a civil society, sexual morality, privacy, and patriotism. Proposing democratic remedies for our moral and cultural diseases, Himmelfarb concludes that it is a tribute to Americans that we remain "one nation" even as we are divided into "two cultures."