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The Americanization of Europe
Using Germany as a case study of the impact of American culture throughout a period characterized by a totalitarian system, two destructive wars, ethnic cleansing, and economic disaster, this book explores the political and cultural parameters of Americanization and anti-Americanism.
Mass Culture and Italian Society from Fascism to the Cold War
From the 1930s to the 50s in Italy commercial cultural products were transformed by new reproductive technologies and ways of marketing and distribution, and the appetite for radio, films, music and magazines boomed. This book uses new evidence to explore possible continuities between the uses of mass culture before and after World War II.
The Art of Urban Living
This volume is based on papers given at the conference 'Imagining the City' held in Cambridge in 2004. Together they examine the city as imagined space and as a matrix for imagined worlds, using French, German, English, Italian, Russian and North American examples.
Fascist Spectacle
This richly textured cultural history of Italian fascism traces the narrative path that accompanied the making of the regime and the construction of Mussolini's power. Simonetta Falasca-Zamponi reads fascist myths, rituals, images, and speeches as texts that tell the story of fascism. Linking Mussolini's elaboration of a new ruling style to the shaping of the regime's identity, she finds that in searching for symbolic means and forms that would represent its political novelty, fascism in fact brought itself into being, creating its own power and history. Falasca-Zamponi argues that an aesthetically founded notion of politics guided fascist power's historical unfolding and determined the fascist regime's violent understanding of social relations, its desensitized and dehumanized claims to creation, its privileging of form over ethical norms, and ultimately its truly totalitarian nature. This richly textured cultural history of Italian fascism traces the narrative path that accompanied the making of the regime and the construction of Mussolini's power. Simonetta Falasca-Zamponi reads fascist myths, rituals, images, and speeches as texts t
Age Of Bronze Vol. 1 (Color)
A brand-new look for multiple Eisner-winner ERIC SHANOWER's hard-hitting version of the Trojan War. The politics and passion get turned up to eleven when colorist JOHN DALLAIRE injects his vibrant palette into the enduring epic. Helen runs off with Paris. Agamemnon declares war on Troy. Achilles hides among girls. Odysseus goes mad. And that's only the beginning. Collects AGE OF BRONZE #1-9 COMPARISON TITLES If you like the epic adaptations of Garc’a and Rub’n's BEOWULF and Neil Gaiman's Norse Mythology, you'll love this historical adaptation of Troy in AGE OF BRONZE.
Naturoids: On The Nature Of The Artificial
Since antiquity, technology has tried to either control or imitate nature. Both these traditions take advantage of the progress of science, but their teleology and their typical design problems remain basically different.The technology of the artificial may be defined as the effort to reproduce natural objects or processes by means of current conventional technology and materials. This book reports on the results of a theoretical study of the logic characterizing any attempt to design something artificial.While designers of artificial devices work in their own area facing field-specific problems (e.g. bioengineering, artificial organs, robotics, AI, ALife, remakings, etc.), the present study refers to the artificial in itself, trying to find out what is common to instances very far from each other, in an intrinsically interdisciplinary way. The result may be defined as a proposal of a general theory of the artificial.
Rewriting German History
Rewriting German History offers striking new insights into key debates about the recent German past. Bringing together cutting-edge research and current discussions, this volume examines developments in the writing of the German past since the Second World War and suggests new directions for scholarship in the twenty-first century.
Exhibiting Italian Art in the United States from Futurism to Arte Povera
This volume explores how Italian institutions, dealers, critics, and artists constructed a modern national identity for Italy by exporting – literally and figuratively – contemporary art to the United States in key moments between 1929 and 1969. From artist Fortunato Depero opening his Futurist House in New York City to critic Germano Celant launching Arte Povera in the United States, Raffaele Bedarida examines the thick web of individuals and cultural environments beyond the two more canonical movements that shaped this project. By interrogating standard narratives of Italian Fascist propaganda on the one hand and American Cold War imperialism on the other, this book establishes a more ...
Legitimizing the Artist
In the late nineteenth and early twentieth centuries, the production of literary and cultural manifestoes enjoyed a veritable boom and accompanied the rise of many avant-garde movements. Legitimizing the Artist considers this phenomenon as a response to a more general crisis of legitimation that artists had been struggling with for decades. The crucial question for artists, confronted by the conservative values of the dominant bourgeoisie and the economic logic of triumphant capitalism, was how to justify their work in terms that did not reduce art to a mere commodity. In this work Luca Somigli discusses several European artistic movements - decadentism, Italian futurism, vorticism, and imag...
