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George Sand ABC
  • Language: de
  • Pages: 148

George Sand ABC

  • Type: Book
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  • Published: 2008
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  • Publisher: Unknown

None

Ein Mund von Welt, Ginka Steinwachs
  • Language: de
  • Pages: 202

Ein Mund von Welt, Ginka Steinwachs

  • Type: Book
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  • Published: 1989
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  • Publisher: Unknown

None

German Feminist Writings
  • Language: en
  • Pages: 372

German Feminist Writings

  • Type: Book
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  • Published: 2001-02-01
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  • Publisher: A&C Black

This collection is organized in five part: Education for Girls and Women; Women and Work; Women and Politics; Issues of Gender; and Women in Art and Literature. It includes more than 90 excerpts by some 50 women writers. Among the author included are Annette von Droste-Hnlshoff (1797-1848), Fanny Lewald (1811-1889), Louise Otto-Peters (1819-1895), Marie Freirfrau von Ebner-Eschenbach (1830-1916), Hedwig Dohm (1833-1919), Helene Lang (1848-1930), Lily Braun (1865-1916), Rosa Luxemburg (1870-1919) and many more.

Post-war Women's Writing in German
  • Language: en
  • Pages: 372

Post-war Women's Writing in German

A study of women's writing in the Federal Republic, the German Democratic Republic, Austria and Switzerland, 1945-1990.

Anna's (T)raum
  • Language: de
  • Pages: 28

Anna's (T)raum

  • Type: Book
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  • Published: 1991
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  • Publisher: Unknown

None

Exiles, Eccentrics, Activists
  • Language: en
  • Pages: 258

Exiles, Eccentrics, Activists

The first book-length critical appraisal of the work of Marieluise Fleisser, Elfriede Jelinek, Erika Mann, Else Lasker-Schuler, Kerstin Specht, and Ginka Steinwachs

Performance and Performativity in German Cultural Studies
  • Language: en
  • Pages: 268

Performance and Performativity in German Cultural Studies

  • Type: Book
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  • Published: 2003
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  • Publisher: Peter Lang

This volume assembles the select proceedings of an international conference held at the University of Cambridge in March 2002. The conference took its cue from the 'performative turn', which has put issues of performance and performativity at the centre of current academic debate in the humanities. The volume aims to show the ways in which German Studies have been turning towards questions of the performative in recent years. On the one hand, this involves an increased interest in the performing arts in the scholarship and teaching of German Studies and a growing understanding of the literary text too, as a performed process as much as a finished object, on the other, an incorporation of theories of performativity, not least in the area of gender and sexuality. The essays cover a range of performance media (theatre, film, performance art, photography) as well as the representation of turns or acts of performance in literary texts from Goethe to key contemporary writers. Together, they indicate exciting new ways forward for German Cultural Studies.

Zum Bild der Künstlerin in literarischen Biographien
  • Language: de
  • Pages: 230

Zum Bild der Künstlerin in literarischen Biographien

None

Urban Hacking
  • Language: en
  • Pages: 231

Urban Hacking

Urban spaces became battlefields, signifiers have been invaded, new structures have been established: Netculture replaced counterculture in most parts and also focused on the everchanging environments of the modern city. Important questions have been brought up to date and reasked, taking current positions and discourses into account. The major question still remains, namely how to create culturally based resistance under the influence of capitalistic pressure and conservative politics. This collection of essays and contributions attempts to address this question and its implications for different scientific and artistic fields.

Aesthetics and Anthropology
  • Language: en
  • Pages: 276

Aesthetics and Anthropology

"Aesthetics and Anthropology" is a collection of contributions by an international and interdisciplinary team of authors from the fields of anthropology, performance studies, curatorial studies and the arts. The title refers to the paths that lead to the in-betweens and the beyonds of aura and trace in the representation of life that is performed in aesthetic reflexivity. Aesthetic reflexivity refers not only to the authors' attempts at an interdisciplinary encounter with one another, but also to their encounter with the readers, and with the recipients of an intended message in an aesthetic dialogue. Our approach is innovative in that it looks upon aesthetics as a "topos of the living". We ...