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This handsome book offers a unified and fascinating portrait of Leonardo as draftsman, integrating his roles as artist, scientist, inventor, theorist, and teacher. 250 illustrations.
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This work offers the first English-language survey of the book industry in Renaissance Italy. Whereas traditional accounts of the book in the Renaissance celebrate authors and literary achievement, this study examines the nuts and bolts of a rapidly expanding trade that built on existing economic practices while developing new mechanisms in response to political and religious realities. Approaching the book trade from the perspective of its publishers and booksellers, this archive-based account ranges across family ambitions and warehouse fires to publishers' petitions and convivial bookshop conversation. In the process it constructs a nuanced picture of trading networks, production, and the distribution and sale of printed books, a profitable but capricious commodity. Originally published in Italian as Il commercio librario nell’Italia del Rinascimento (Milan: Franco Angeli, 1998; second, revised ed., 2003), this present English translation has not only been updated but has also been deeply revised and augmented.
Renaissance anatomist Gabrielle Falloppia is best known today for his account of the eponymous fallopian tubes but he made numerous other anatomical discoveries as well, was one of the most famous surgeons of his time, and is widely believed to have invented the condom. Drawing on Falloppia's Observationes anatomicae of 1561 and on dozens of handwritten and published sets of student notes, this book not only looks at Falloppia’s anatomical lectures and demonstrations. It also studies Falloppia’s work on surgical topics – including the French disease and cosmetic surgery – on thermal waters, and on pharmacology. Last but not least, it uses student notes and the letters of contemporary...