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Italy’s Eighteenth Century
In the age of the Grand Tour, foreigners flocked to Italy to gawk at its ruins and paintings, enjoy its salons and cafés, attend the opera, and revel in their own discovery of its past. But they also marveled at the people they saw, both male and female. In an era in which castrati were "rock stars," men served women as cicisbei, and dandified Englishmen became macaroni, Italy was perceived to be a place where men became women. The great publicity surrounding female poets, journalists, artists, anatomists, and scientists, and the visible roles for such women in salons, academies, and universities in many Italian cities also made visitors wonder whether women had become men. Such images, of course, were stereotypes, but they were nonetheless grounded in a reality that was unique to the Italian peninsula. This volume illuminates the social and cultural landscape of eighteenth-century Italy by exploring how questions of gender in music, art, literature, science, and medicine shaped perceptions of Italy in the age of the Grand Tour.
The Lady Anatomist
Anna Morandi Manzolini (1714-74), a woman artist and scientist, surmounted meager origins and limited formal education to become one of the most acclaimed anatomical sculptors of the Enlightenment. The Lady Anatomist tells the story of her arresting life and times, in light of the intertwined histories of science, gender, and art that complicated her rise to fame in the eighteenth century. Examining the details of Morandi’s remarkable life, Rebecca Messbarger traces her intellectual trajectory from provincial artist to internationally renowned anatomical wax modeler for the University of Bologna’s famous medical school. Placing Morandi’s work within its cultural and historical context, as well as in line with the Italian tradition of anatomical studies and design, Messbarger uncovers the messages contained within Morandi’s wax inscriptions, part complex theories of the body and part poetry. Widely appealing to those with an interest in the tangled histories of art and the body, and including lavish, full-color reproductions of Morandi’s work, The Lady Anatomist is a sophisticated biography of a true visionary.
Histories of Sensibilities
Histories of Sensibilities: Visions of Gender, Race, and Emotions in the Global Enlightenment explores the historical and plural character of sensibility in the Global Enlightenment. From Tahiti to New Orleans to the Mariana Islands; to Lima, Geneva, London, Oviedo, or Venice, the book investigates how sensibility was brandished by different ethnic, political, and cultural groups to define their identities; how cross-cultural and cross-chronological encounters reconfigured ideas of gendered selves; how sexuality was used to empower or subjugate non-European ethnicities; and how the circulation of theories about the origin of emotions and taste reinforced or challenged hegemonic ideas of masc...
Distinguished Figures in Mechanism and Machine Science
This book discusses technological developments by distinguished figures in the history of MMS (mechanism and machine science). It includes biographies of well-known scientists, describing their efforts, experiences and achievements and offering a modern interpretation of their legacy. This volume includes scientists from a wide range of time periods, academic disciplines, and geographical backgrounds, such as Giovanni Bianchi, Homer, Taqi Al-Din, Jacques de Vaucanson, Ma Jun, Xu Baosheng, Alexander Alexandrovich Golovin, Francesco di Giorgio and Cesare Rossi. Covering a wide range of figures within the field of history of mechanical engineering, with a particular focus on MMS, this fourth volume is of interest to, and will inspire the work (historical or not) of many.
Redreaming the Renaissance
Redreaming the Renaissance seeks to remedy the dearth of conversations between scholars of history and literary studies by building on the pathbreaking work of Guido Ruggiero to explore the cross-fertilization between these two disciplines, using the textual world of the Italian Renaissance as proving ground. In this volume, these disciplines blur, as they did for early moderns, who did not always distinguish between the historical and literary significance of the texts they read and produced. Literature here is broadly conceived to include not only belles lettres, but also other forms of artful writing that flourished in the period, including philosophical writings on dreams and prophecy; life-writing; religious debates; menu descriptions and other food writing; diaries, news reports, ballads, and protest songs; and scientific discussions. The twelve essays in this collection examine the role that the volume’s dedicatee has played in bringing the disciplines of history and literary studies into provocative conversation, as well as the methodology needed to sustain and enrich this conversation.
Malleable Anatomies
An account of the practice of anatomical modelling in mid-eighteenth-century Italy, showing how anatomical models became an authoritative source of medical knowledge, but also informed social, cultural, and political developments at the crossroads of medical learning, religious ritual, antiquarian and artistic cultures, and Grand Tour spectacle.
Women, Gender and Enlightenment
Did women have an Enlightenment? This path-breaking volume of interdisciplinary essays by forty leading scholars provides a detailed picture of the controversial, innovative role played by women and gender issues in the age of light.
The First Modern Museums of Art
In the eighteenth and early nineteenth centuries the first modern, public museums of art—civic, state, or national—appeared throughout Europe, setting a standard for the nature of such institutions that has made its influence felt to the present day. Although the emergence of these museums was an international development, their shared history has not been systematically explored until now. Taking up that project, this volume includes chapters on fifteen of the earliest and still major examples, from the Capitoline Museum in Rome, opened in 1734, to the Alte Pinakothek in Munich, opened in 1836. These essays consider a number of issues, such as the nature, display, and growth of the muse...
Spaces, Objects and Identities in Early Modern Italian Medicine
This collection, by an international team of scholars, presentsexciting research currently being undertaken on early modern Italywhich questions the conventional boundaries of medical history. Brings together historians of medicine and scholars ofdifferent backgrounds who are re-visiting the field from newperspectives and with the support of innovative questions andunexplored sources Explores crucial areas of intersection between the territory ofmedicine and that of law, politics, religion, art and materialculture and highlights the connections between these apparentlyseparate fields Challenges our understanding of what we regard as medicalactivities, medical identities, spaces and objects Addresses the study of medical careers, medical identities andspaces where medical activities were performed e.g. apothecaryshops, courtrooms, convents and museums
50+ Years of AIMETA
The book retraces the history of the Italian Association of Theoretical and Applied Mechanics (AIMETA) since its establishment in 1965. AIMETA is the official Italian association of mechanics adhering to IUTAM (International Union of Theoretical and Applied Mechanics), which organizes and coordinates a meaningful number of research activities, the most important of which are the biennial National Congress and the internationally renowned journal “Meccanica”, published by Springer. Besides collecting and organizing all related important data and information, as far as possible, by distinguishing among the five scientific areas – general mechanics, solids, structures, fluids, machines ...
