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Anna Morandi Manzolini (1714-74), a woman artist and scientist, surmounted meager origins and limited formal education to become one of the most acclaimed anatomical sculptors of the Enlightenment. The Lady Anatomist tells the story of her arresting life and times, in light of the intertwined histories of science, gender, and art that complicated her rise to fame in the eighteenth century. Examining the details of Morandi’s remarkable life, Rebecca Messbarger traces her intellectual trajectory from provincial artist to internationally renowned anatomical wax modeler for the University of Bologna’s famous medical school. Placing Morandi’s work within its cultural and historical context, as well as in line with the Italian tradition of anatomical studies and design, Messbarger uncovers the messages contained within Morandi’s wax inscriptions, part complex theories of the body and part poetry. Widely appealing to those with an interest in the tangled histories of art and the body, and including lavish, full-color reproductions of Morandi’s work, The Lady Anatomist is a sophisticated biography of a true visionary.
In the age of the Grand Tour, foreigners flocked to Italy to gawk at its ruins and paintings, enjoy its salons and cafés, attend the opera, and revel in their own discovery of its past. But they also marveled at the people they saw, both male and female. In an era in which castrati were "rock stars," men served women as cicisbei, and dandified Englishmen became macaroni, Italy was perceived to be a place where men became women. The great publicity surrounding female poets, journalists, artists, anatomists, and scientists, and the visible roles for such women in salons, academies, and universities in many Italian cities also made visitors wonder whether women had become men. Such images, of course, were stereotypes, but they were nonetheless grounded in a reality that was unique to the Italian peninsula. This volume illuminates the social and cultural landscape of eighteenth-century Italy by exploring how questions of gender in music, art, literature, science, and medicine shaped perceptions of Italy in the age of the Grand Tour.
This book discusses technological developments by distinguished figures in the history of MMS (mechanism and machine science). It includes biographies of well-known scientists, describing their efforts, experiences and achievements and offering a modern interpretation of their legacy. This volume includes scientists from a wide range of time periods, academic disciplines, and geographical backgrounds, such as Giovanni Bianchi, Homer, Taqi Al-Din, Jacques de Vaucanson, Ma Jun, Xu Baosheng, Alexander Alexandrovich Golovin, Francesco di Giorgio and Cesare Rossi. Covering a wide range of figures within the field of history of mechanical engineering, with a particular focus on MMS, this fourth volume is of interest to, and will inspire the work (historical or not) of many.
An account of the practice of anatomical modelling in mid-eighteenth-century Italy, showing how anatomical models became an authoritative source of medical knowledge, but also informed social, cultural, and political developments at the crossroads of medical learning, religious ritual, antiquarian and artistic cultures, and Grand Tour spectacle.
The book retraces the history of the Italian Association of Theoretical and Applied Mechanics (AIMETA) since its establishment in 1965. AIMETA is the official Italian association of mechanics adhering to IUTAM (International Union of Theoretical and Applied Mechanics), which organizes and coordinates a meaningful number of research activities, the most important of which are the biennial National Congress and the internationally renowned journal “Meccanica”, published by Springer. Besides collecting and organizing all related important data and information, as far as possible, by distinguishing among the five scientific areas – general mechanics, solids, structures, fluids, machines ...
In Scholars in Action, an international group of 40 authors open up new perspectives on the eighteenth-century culture of knowledge, with a particular focus on scholars and their various practices.
The development of the geological and medical sciences shows overlap through numerous historical threads, some of which are investigated here by an international authorship of geologists, historians and medical professionals. Some of the medical men considered here are the relatively well known Steno, Parkinson, William Hunter and Peter Duncan, as well as several more obscure individuals such as Sperling, Hodges, Lemoine, Siqués and a number of Italians. Their work included foundational geological studies, aspects of hydrogeology and the nature of fossils. The therapeutic use of geological materials has been practised since ancient times. A suite of magico-medicinal stones, some purportedly harvested from the bodies of fabulous animals, have ancient folklore roots and were worn as protective amulets and incorporated into medicines. Medicinal earths were credited with wide-ranging medicinal properties. Geology and Medicine: Historical Connections will be of particular interest to Earth scientists, medical personnel, historians of science and the general reader with an interest in science.
"This book explores the early advent of electricity as a pivotal phenomenon in the cultivation of popular cultural scientific interest"--