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Forswears, murders, irrational decrees. Over the two millennium-long history of the Papacy, many, too many, mistakes and questionable and odd exploits have been carried out. In the present work, the author, far from attacking a single Pope, but rather with the clear intent of demolishing the dogma of Papal infallibility, lists all the barbaric acts of the Popes from the first century up to the present times. The work is marked by an innovative writing technique, one that has never been used before, characterized by extreme conciseness and a painstakingly precise bibliography of almost two-hundred works in order to provide quotes of the most relevant parts. The author wishes to push the reader to question the value of modern religious teaching with respect to the original teaching of Jesus, as well as to ask the reader what factors have caused Christianity to split into a variety of religious streams. He reminds us that the Catholic Church is the only one, among the three great doctrinal schisms, that has imposed celibacy upon its clergy. Could that be the reason?
The essays gathered in this volume are devoted to different aspects of the reception of Humanism and the Renaissance in Slavic countries. They mark the beginning of a dialogue among scholars of different Slavic languages and literatures, in search of the ways in which the entire Slavic world – albeit to varying degrees – has participated from the very beginning in European cultural transformations, and not simply by sharing some characteristics of the new currents, but by building a new identity in harmony with the changes of the time. By overcoming the dominant paradigm, which sees all cultural manifestations as part of a separate ‘national’ linguistic, literary and artistic canon, this volume is intended to be the first step in outlining some ideas and suggestions in view of the creation, in the future, of an atlas that maps the relevance of Humanism and the Renaissance in the Slavic world.
Between the catastrophic flood of the Tiber River in 1557 and the death of the “engineering pope” Sixtus V in 1590, the city of Rome was transformed by intense activity involving building construction and engineering projects of all kinds. Using hundreds of archival documents and primary sources, Engineering the Eternal City explores the processes and people involved in these infrastructure projects—sewers, bridge repair, flood prevention, aqueduct construction, the building of new, straight streets, and even the relocation of immensely heavy ancient Egyptian obelisks that Roman emperors had carried to the city centuries before. This portrait of an early modern Rome examines the many c...
Praised for its scope and depth, Asia in the Making of Europe is the first comprehensive study of Asian influences on Western culture. For volumes I and II, the author has sifted through virtually every European reference to Asia published in the sixteenth-century; he surveys a vast array of writings describing Asian life and society, the images of Asia that emerge from those writings, and, in turn, the reflections of those images in European literature and art. This monumental achievement reveals profound and pervasive influences of Asian societies on developing Western culture; in doing so, it provides a perspective necessary for a balanced view of world history. Volume I: The Century of Discovery brings together "everything that a European could know of India, Southeast Asia, China, and Japan, from printed books, missionary reports, traders' accounts and maps" (The New York Review of Books). Volume II: A Century of Wonder examines the influence of that vast new body of information about Asia on the arts, institutions, literatures, and ideas of sixteenth-century Europe.
This edited collection focuses on how the ancient past of the city of Naples has been invented, shaped, transmitted, and received in literature, art, and material culture since the time of the city's foundation. Adopting a chronological approach, chapters examine important moments in Naples' reception history from the Roman period (when the city was already several centuries old) to the present day. Among the topics covered are representations of the city's early history and mythology in texts and temples of the Roman period; later uses of Roman spolia (marble sculptures and architectural elements) in Christian churches; the importance of antiquity to the rulers of the Angevin and Swabian pe...
This work offers the first English-language survey of the book industry in Renaissance Italy. Whereas traditional accounts of the book in the Renaissance celebrate authors and literary achievement, this study examines the nuts and bolts of a rapidly expanding trade that built on existing economic practices while developing new mechanisms in response to political and religious realities. Approaching the book trade from the perspective of its publishers and booksellers, this archive-based account ranges across family ambitions and warehouse fires to publishers' petitions and convivial bookshop conversation. In the process it constructs a nuanced picture of trading networks, production, and the distribution and sale of printed books, a profitable but capricious commodity. Originally published in Italian as Il commercio librario nell’Italia del Rinascimento (Milan: Franco Angeli, 1998; second, revised ed., 2003), this present English translation has not only been updated but has also been deeply revised and augmented.
In her graceful account of the transformation of European attitudes toward the Ottoman empire during the sixteenth and seventeenth centuries, Lucette Valensi follows the genealogy of the concept of Oriental despotism. The Birth of the Despot examines a crucial moment in the long and ambiguous encounter between the Christian and Islamic worlds: the period after the fall of Constantinople to the Turks, when Venice's pursuit of its commercial and maritime interests brought two powerful protagonists--Venice and the Sublime Porte--face-to-face.Vivaldi's oratorio Juditha Triumphans, in which Judith liberates her besieged town by killing the Turk Holofernes, serves as the organizing metaphor in Valensi's study of how Venice's perceptions of its rival changed. Valensi shows how Venice's initial admiration for the sultan and his orderly empire metamorphosed into revulsion at a monstrous tyrant.
In The Venetian Qur'an, Pier Mattia Tommasino uncovers the author, origin, and lasting influence of the Alcorano di Macometto, a book that purported to be the first printed European vernacular translation of the Qur'an.
Though Bartolomeo Scappi's Opera (1570), the first illustrated cookbook, is well known to historians of food, up to now there has been no study of its illustrations, unique in printed books through the early seventeenth century. In Food and Knowledge in Renaissance Italy, Krohn both treats the illustrations in Scappi's cookbook as visual evidence for a lost material reality; and through the illustrations, including several newly-discovered hand-colored examples, connects Scappi's Opera with other types of late Renaissance illustrated books. What emerges from both of these approaches is a new way of thinking about the place of cookbooks in the history of knowledge. Krohn argues that with the ...
Representing Rome's Emperors brings together an international team of experts to examine the literary and artistic representations of Roman emperors across more than two thousand years of history, breaking down traditional disciplinary boundaries that have separated the study of emperors in antiquity from their representation in later periods.