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European Genizah
This volume includes contributions presented at two conferences, in Mainz and Jerusalem, and presents new discoveries of binding fragments in several European libraries and archives and abroad. It presents newly discovered texts with unknown Jewish writings from the Middle Ages and analyses fragments of well-known texts, such as textual witnesses of Midrashim. One chapter overviews recent discoveries in certain collections, some of them far beyond the geographical horizon of the original project, but certainly all of European origin. Other chapters study palaeographical and codicological issues of manuscript fragments and Ashkenazic inscriptions. A final article refers to the beginnings of scholarly interest in Hebrew binding fragments in Germany and sheds light on the part played by Christian Hebraists in its development.
The Scandal of Kabbalah
The Scandal of Kabbalah is the first book about the origins of a culture war that began in early modern Europe and continues to this day: the debate between kabbalists and their critics on the nature of Judaism and the meaning of religious tradition. From its medieval beginnings as an esoteric form of Jewish mysticism, Kabbalah spread throughout the early modern world and became a central feature of Jewish life. Scholars have long studied the revolutionary impact of Kabbalah, but, as Yaacob Dweck argues, they have misunderstood the character and timing of opposition to it. Drawing on a rang.
The theatre of Tibet
he theatrical culture of Tibet is probably the last to remain virtually unknown to the outside world, and to the West in particular. As well as describing the current situation of studies on Tibetan theatre, the current volume also provides an essay on imagination and how it is concretely manifested by the Tibetan people and their actors. Recent decades have seen radical change for Tibetan theatre, ache lhamo, now performed by a diaspora for whom a declining artistic and technical change derives from an uncertain politics concerning secular and popular culture, as well as the ongoing cultural genocide caused by China’s subjection of Tibet.
Confronting Kabbalah: Studies in the Christian Hebraist Library of Johann Albrecht Widmanstetter
Johann Albrecht Widmanstetter (1506–1557), humanist and privy councillor to popes and kings, has remained an enigmatic figure among Christian Hebraists whose views were little understood. This study leverages Widmanstetter's remarkable collection consisting of hundreds of Jewish manuscripts and printed books, most of which survive to this day. Explore in the first half the story of Jewish book production and collecting in sixteenth-century Europe through Widmanstetter's book acquisitions, librarianship, and correspondence. Delve into his unique perspective on Jewish literature and Kabbalah as the latter half of the study contextualizes the marginal notes in his library with his published works.
Hebrew between Jews and Christians
Though typically associated more with Judaism than Christianity, the status and sacrality of Hebrew has nonetheless been engaged by both religious cultures in often strikingly similar ways. The language has furthermore played an important, if vexed, role in relations between the two. Hebrew between Jews and Christians closely examines this frequently overlooked aspect of Judaism and Christianity's common heritage and mutual competition.
A Philosopher at the Crossroads
This study explains how one of the most remarkable thinkers of the Italian Renaissance, Giovanni Pico della Mirandola (1463–1494), broke new ground by engaging with the scholastic tradition while maintaining his ‘humanist’ sensibilities. A central claim of the monograph is that Pico was a 'philosopher at the crossroads,' whose sophisticated reading of numerous scholastic thinkers enabled him to advance a different conception of philosophy. The scholastic background to Pico’s work has been neglected by historians of the period. This omission has served to create not only an unreliable picture of Pico’s thought, but also a more general ignorance of the dynamism of scholastic thought in late fifteenth-century Italy. The author argues that these deficiencies of modern scholarship stand in need of correction.
Hasidic Art and the Kabbalah
Hasidic Art and the Kabbalah presents eight case studies of manuscripts, ritual objects, and folk art developed by Hasidic masters in the mid-eighteenth to late nineteenth centuries, whose form and decoration relate to sources in the Zohar, German Pietism, and Safed Kabbalah. Examined at the delicate and difficult to define interface between seemingly simple, folk art and complex ideological and conceptual outlooks which contain deep, abstract symbols, the study touches on aspects of object history, intellectual history, the decorative arts, and the history of religion. Based on original texts, the focus of this volume is on the subjective experience of the user at the moment of ritual, applying tenets of process philosophy and literary theory – Wolfgang Iser, Gaston Bachelard, and Walter Benjamin – to the analysis of objects.
Rediscovering Enoch? The Antediluvian Past from the Fifteenth to Nineteenth Centuries
The books of Enoch are famed for having been “lost” in the Middle Ages but “rediscovered” by modern scholars. But was this really the case? This volume is the first to explore the reception of Enochic texts and traditions between the fifteenth and nineteenth centuries. Bringing specialists in antiquity into conversation with specialists in early modernity, it reveals a much richer story with a more global scope. Contributors show how Enoch and the era before the Flood were newly reimagined, not just by scholars, but also by European artists and adventurers, Kabbalists, Sufis, Mormons, and Ethiopian and Slavonic Christians.
The Earthly Paradise
The essays contained in this volume constitute, not a continuous narrative of the history of how the Eden story in Genesis has been understood, but rather a series of snapshots taken at different moments in that history. They include examples of Christian, Jewish, and Islamic interpretations of Genesis in different periods, places and contexts. They address popular movements, learned exegesis, literary appropriations and modern theology and philosophy. They move from antiquity to the twentieth century, and span a spectrum from orthodox to heterodox interpretations of the Eden narrative.
Music and Jewish Culture in Early Modern Italy
Musical culture in Jewish communities in early modern Italy was much more diverse than researchers originally thought. An interdisciplinary reassessment, Music and Jewish Culture in Early Modern Italy evaluates the social, cultural, political, economic, and religious circumstances that shaped this community, especially in light of the need to recognize individual experiences within minority populations. Contributors draw from rich materials, topics, and approaches as they explore the inherently diverse understandings of music in daily life, the many ways that Jewish communities conceived of music, and the reception of and responses to Jewish musical culture. Highlighting the multifaceted experience of music within Jewish communities, Music and Jewish Culture in Early Modern Italy sheds new light on the place of music in complex, previously misunderstood environments.
