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Baltimore's rich diversity is represented by its many neighborhoods--95 at last count. Some neighborhoods meander for several city blocks while others claim only a few. This volume of vintage postcards provides unique glimpses into the past of many of Baltimore's neighborhoods. Included are the elegant homes of Roland Park, Guildford, and Sherwood Gardens; the workingman's Highlandtown, South Baltimore, and Locust Point; the streetcar suburbs of Mount Washington, Overlea, Ten Hills, and Hunting Ridge; and the city park-anchored communities of Patterson Park, Federal Hill, and Gwynns Falls. Readers will find no two communities alike.
As corporate managers look toward the 1990s, there is general consensus that the corporate environment will become one of continual change. This volume offers some extremely perceptive insights into the issues that will affect management in the 1990s, and suggests a philosophy for successfully dealing with these issues. The contributors comprise a mix of outstanding corporate leaders and members of the academic community from Fordham University's Graduate School of Business Administration and the Wharton School of Business at the University of Pennsylvania.
This book explores the gendered historical and social contexts and discursive traditions that have characterized journals and diaries in academic discourse. The tension between the term "journal," which has a variety of positive public and scholarly connotations, and the term "diary," which is currently understood as a feminized, trivial, and confessional kind of writing inappropriate for school, is a critical part of the problem. This book uses the developing and shifting notions of diary and journal to explore several critical questions about the larger relations between gender, language, canonicity, and academic discourse.
This unique and comprehensive study examines how music affects Shakespeare's plays and addresses the ways in which contemporary audiences responded to it. David Lindley sets the musical scene of Early Modern England, establishing the kinds of music heard in the streets, the alehouses, private residences and the theatres of the period and outlining the period's theoretical understanding of music. Focusing throughout on the plays as theatrical performances, this work analyzes the ways Shakespeare explores and exploits the conflicting perceptions of music at the time and its dramatic and thematic potential.