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Antagonistics addresses central political and theoretical questions: how should we conceive the relations between neo-imperial warfare and neoliberalism, or American hegemony and capitalist globalization? Reflections on the major issues of the new international order are set within a larger framework, tracing the intertwined evolution of the modern state system and the capitalist mode of production, from the Treaty of Westphalia to the Occupation of Iraq. Gopal Balakrishnan interrogates three key political perspectives-including Tocqueville's liberalism, Althusser's Marxism and Schmitt on the radical right-for their insights on state power and civil society, democracy, and class. Antagonistics combines intellectual history, political philosophy, and historical sociology to produce a highly distinctive portrait of an age of capital and war.
Antagonistics addresses central political and theoretical questions: how should we conceive the relations between neo-imperial warfare and neoliberalism, or American hegemony and capitalist globalization? Reflections on the major issues of the new international order are set within a larger framework, tracing the intertwined evolution of the modern state system and the capitalist mode of production, from the Treaty of Westphalia to the Occupation of Iraq. Gopal Balakrishnan interrogates three key political perspectives—including Tocqueville’s liberalism, Althusser’s Marxism and Schmitt on the radical right—for their insights on state power and civil society, democracy, and class. Antagonistics combines intellectual history, political philosophy, and historical sociology to produce a highly distinctive portrait of an age of capital and war.
The writings of Carl Schmitt form what is arguably the most disconcerting, original, and yet still unfamiliar body of twentieth-century political thought. In the English-speaking world, he is terra incognita, a name associated with Nazism, the author of a largely untranslated oeuvre forming no recognizable system, coming to us from a disturbing place and time in the form of fragments. The Enemy is a comprehensive reconstruction and analysis of all of Schmitt's major works-his books, articles and pamphlets from 1919 to 1950-presented in an arresting narrative form. The revelation of his work is that, unlike mainstream Nazi ideology, Schmitt makes a strong philosophical claim for the necessity of confrontational politics within a democratic system; a claim that has resonance in today's hegemony of consensual politics.
In nearly two decades since Samuel P. Huntington proposed his influential and troubling ‘clash of civilizations’ thesis, nationalism has only continued to puzzle and frustrate commentators, policy analysts and political theorists. No consensus exists concerning its identity, genesis or future. Are we reverting to the petty nationalisms of the nineteenth century or evolving into a globalized, supranational world? Has the nation-state outlived its usefulness and exhausted its progressive and emancipatory role? Opening with powerful statements by Lord Acton and Otto Bauer – the classic liberal and socialist positions, respectively – Mapping the Nation presents a wealth of thought on this issue: the debate between Ernest Gellner and Miroslav Hroch; Gopal Balakrishnan’s critique of Benedict Anderson’s seminal Imagined Communities; Partha Chatterjee on the limitations of the Enlightenment approach to nationhood; and contributions from Michael Mann, Eric Hobsbawm, Tom Nairn, and Jürgen Habermas.
This text draws together the debate surrounding Hardt and Negri's "Empire".
The Enemy is an inter-textual reconstruction and analysis of Schmitt's major works, presenting an arresting portrait of a writer still considered terra incognita throughout the English speaking world.
Until the recent uprisings in the Middle East and North Africa, the resilience of authoritarian regimes seemed a fundamental feature of regional politics. While economic, political, and internal security policies are most often considered in discussions of regime maintenance, Laurie Brand introduces a new factor, that of national narratives. Portrayals of a country's founding, identity, and bases of unity can be a powerful strategy in sustaining a ruling elite. Brand argues that such official stories, which are used to reinforce the right to rule, justify policies, or combat opponents, deserve careful exploration if we are to understand the full range of tools available to respond to crises ...
Writings on War collects three of Carl Schmitt's most important and controversial texts, here appearing in English for the first time: The Turn to the Discriminating Concept of War, The Großraum Order of International Law, and The International Crime of the War of Aggression and the Principle "Nullum crimen, nulla poena sine lege". Written between 1937 and 1945, these works articulate Schmitt's concerns throughout this period of war and crisis, addressing the major failings of the League of Nations, and presenting Schmitt's own conceptual history of these years of disaster for international jurisprudence. For Schmitt, the jurisprudence of Versailles and Nuremberg both fail to provide for a ...
Tracking Europe is a bold interdisciplinary critique of claims regarding the free movement of goods, people, services, and capital throughout Europe. Ginette Verstraete interrogates European discourses on unlimited movement for everyone and a utopian unity-in-diversity in light of contemporary social practices, cultural theories, historical texts, media representations, and critical art projects. Arguing against the persistent myth of borderless travel, Verstraete shows the discourses on Europe to be caught in an irresolvable contradiction on a conceptual level and in deeply unsettling asymmetries on a performative level. She asks why the age-old notion of Europe as a borderless space of mob...
Benedict Anderson’s 1983 masterpiece Imagined Communities is a ground-breaking analysis of the origins and meanings of “nations” and “nationalism”. A book that helped reshape the field of nationalism studies, Imagined Communities also shows the critical thinking skills of interpretation and analysis working at their highest levels. One crucial aspect of Anderson’s work involves the apparently simple act of defining precisely what we mean when we say ‘nation’ or ‘nationalism’ – an interpretative step that is vital to the analysis he proceeds to carry out. For Anderson, it is clear that nations are not ‘natural;’ as historians and anthropologists are well aware, natio...