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The aim of this study is to increase understanding of folk music within an historical, European framework, and to show the genre as a dynamic and changing art form. The book addresses a plethora of questions through its detailed examination of a wide range of music from vastly different national and cultural identities. It attempts to elucidate the connections between, and the varying development of, the music of peoples throughout Europe, firstly by examining the ways in which scholars of different ideological and artistic ambitions have collected, studied and performed folk music, then by investigating the relationship between folk and popular music. Jan Ling is Professor of Musicology at Göteborg University, Sweden.
Sonatas, Screams, and Silence: Music and Sound in the Films of Ingmar Bergman is the first musical examination of Bergman’s style as an auteur filmmaker. It provides a comprehensive examination of all three aspects (music, sound effects, and voice) of Bergman’s signature soundtrack-style. Through examinations of Bergman’s biographical links to music, the role of music, sound effects, silence, and voice, and Bergman’s working methods with sound technicians, mixers, and editors, this book argues that Bergman’s soundtracks are as superbly developed as his psychological narratives and breathtaking cinematography. Interdisciplinary in nature, this book bridges the fields of music, sound, and film.
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Now in paperback! Cloth edition 0-8108-2964-9 originally published in 1995.
New Music of the Nordic Countries describes the music of Denmark, Finland, Iceland, Norway and Sweden composed during the latter half of the twentieth century. Along with providing biographical material on most of the living Nordic composers, the book discusses in detail the major trends in Scandinavian contemporary music as well as many of the recent musical works. The 800-page volume is edited by John D. White, a former Scholar to Iceland and a Fellow of the American-Scandinavian Foundation. White is the author of Part III, New Music in Iceland and has enlisted five other distinguished Nordic musical scholars to write the remaining sections of the book. Bound together philosophically, geographically, and to a significant extent ethnically, the five Nordic countries hold a unique place in today's world. They are populated by talented, creative achievers, and each nation possesses its own special qualities. This is certainly true in its music, yet little of Nordic tone art of the late twentieth century is widely known outside of Northern Europe. Thus, this comprehensive volume will serve a valuable purpose in disseminating knowledge about this important body of music literature.
Provides comprehensive information on musicians and groups from around the world. Entries include a detailed biographical essay, selected discographies, contact information and a list of sources. Features include e-mail addresses and online sources where available.
While Iceland is the second largest inhabited island in Europe, with only 313,000 inhabitants in 2007, the Icelanders form one of the smallest independent nations in the world. Around two-thirds of the population lives in the capital, Reykjavík, and its suburbs, while the rest is spread around the inhabitable area of the country. Until fairly recently the Icelandic nation was unusually homogeneous, both in cultural and religious terms; in 1981, around 98 percent of the nation was born in Iceland and 96 percent belonged to the Lutheran state church or other Lutheran religious sects. In 2007, these numbers were down to 89 and 86 percent respectively, reflecting the rapidly growing multicultural nature of Icelandic society. The A to Z of Iceland traces Iceland's history and provides a compass for the direction the country is heading. This is done through its chronology, introductory essays, appendixes, map, bibliography, and hundreds of cross-referenced dictionary entries on important persons, places, events, and institutions and significant political, economic, social, and cultural aspects.
Once part of the Kalmar Union-along with Denmark and Norway-the Kingdom of Sweden broke free in order to govern itself in the early 1500s, and for more than a century afterwards it was a force to be reckoned with. At its peak, it was twice the size that it is today, but with the secession of Finland in 1809 and the rise of Russia, Sweden changed its path and instead turned toward neutrality and a peaceful existence. Today, Sweden boasts a healthy economy, and it is an important member of the European Union, as well a major contributor to international activities. The A to Z of Sweden relates the history of Sweden through a chronology, a list of acronyms and abbreviations, an introductory essay, a bibliography, appendixes, and hundreds of cross-referenced dictionary entries on significant persons, events, and institutions, this dictionary provides information ranging from politics to economics, from education to religion, and from music to literature.