You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Willow Dupré never thought she would have to marry, but with her father's unexpected retirement from running the prosperous Dupré sugar refinery, she is forced into a different future. The shareholders are unwilling to allow a female to take over the company without a man at her side, so her parents devise a plan--find Willow a spokesman king in order for her to become queen of the business empire. Willow is presented with thirty potential suitors from the families of New York society's elite group called the Four Hundred. She has six months to court the group and is told to to eliminate men each month to narrow her beaus until she chooses one to marry, ending the competition with a wedding. Willow reluctantly agrees, knowing she must do what is best for the business. She doesn't expect to find anything other than a proxy . . . until she meets a gentleman who captures her attention, and she must discover for herself if his motives are pure.
"On Blackwell's Island, New York, a hospital was built to keep its patients from ever leaving. With her late parents' fortune under her uncle's care until her twenty-fifth birthday in the year 1887, Edyth Foster does not feel pressured to marry or to bow to society's demands. She freely indulges in eccentric hobbies like fencing and riding her velocipede in her cycling costume about the city for all to see. Finding a loophole in the will, though, her uncle whisks Edyth off to the women's lunatic asylum just weeks before her birthday. And Edyth fears she will never be found. At the asylum she meets another inmate, who upon discovering Edyth's plight, confesses that she is Nellie Bly, an undercover journalist for The World. Will either woman find a way to leave the terrifying island and reclaim her true self?"--
Mysterious Disappearances Taint the Chicago World’s FairStep into True Colors -- a new series of Historical Stories of Romance and American Crime While attending the Chicago World’s Fair in 1893, Winnifred Wylde believes she witnessed a woman being kidnapped. She tries to convince her father, an inspector with the Chicago police, to look into reports of mysterious disappearances around the White City. Inspector Wylde tries to dismiss her claims as exaggeration of an overactive imagination, but he eventually concedes to letting her go undercover as secretary to the man in question—if she takes her pistol for protection and Jude Thorpe, a policeman, for bodyguard. Will she be able to expose H. H. Holmes’s illicit activity, or will Winnifred become his next victim?
IT'S ONLY A MOVIE is as close to an autobiography by Alfred Hitchcock that you could ever have. Drawn from years of interviews with her subject, his friends and the actors who worked with him on such classics as THE BIRDS, PSYCHO and REAR VIEW WINDOW, Charlotte Chandler has created a rich, complex, affectionate and honest picture of the man and his milieu. This is Hitchcock in his own voice and through the eyes of those who knew him better than anyone could.
Welcome to the Old South where hospitality is king and charm is queen. Can lasting love been found here amidst chaotic life challenges?
Winner of the 2022 Edgar Award for Best Biography An Economist Best Book of 2021 A fresh, innovative biography of the twentieth century’s most iconic filmmaker. In The Twelve Lives of Alfred Hitchcock, Edward White explores the Hitchcock phenomenon—what defines it, how it was invented, what it reveals about the man at its core, and how its legacy continues to shape our cultural world. The book’s twelve chapters illuminate different aspects of Hitchcock’s life and work: “The Boy Who Couldn’t Grow Up”; “The Murderer”; “The Auteur”; “The Womanizer”; “The Fat Man”; “The Dandy”; “The Family Man”; “The Voyeur”; “The Entertainer”; “The Pioneer”; “...
Enjoy four historical romances that celebrate the arts of sewing and quilting. When four women put needle and thread to fabric, will their talents lead to love?
After a decade of successful films that included Rear Window, Vertigo, North by Northwest, and Psycho, Alfred Hitchcock produced Marnie, an apparent artistic failure and an unquestionable commercial disappointment. Over the decades, however, the film’s reputation has undergone a reevaluation, and both critics and fans alike have come to appreciate Marnie’s many qualities. In Hitchcock and the Making of Marnie, Tony Lee Moral investigates the cultural and political factors governing the 1964 film’s production, the causes of its critical and commercial failure, and Marnie’s relevance for today’s artists and filmmakers. Hitchcock’s style, motivation, and fears regarding the film are...
Can Inspector Wylde's daughter uncover the truth behind the disappearances at the Chicago World's Fair, or will she become the next victim of H. H. Holmes?
Mark Padilla’s classical reception readings of Alfred Hitchcock features some of the director’s most loved and important films, and demonstrates how they are informed by the educational and cultural classicism of the director’s formative years. The six close readings begin with discussions of the production histories, so as to theorize and clarify how classicism could and did enter the projects. Exploration of the films through a classical lens creates the opportunity to explore new themes and ideological investments. The result is a further appreciation of both the engine of the director’s storytelling creativity and the expressionism of classicism, especially Greek myth and art, in...