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Two of the most fascinating religious figures in medieval literature are Chaucer's Prioress, Madame Eglentyne, and the Archpriest of Hita's Dona Garoza, from his Libro de Buen Amor. Over the years literary critics have interpreted these characters in a variety of ways: from gentle, mildly sinning creatures, to religious failures, to purposefully ambiguous figures with both characteristics. Daichman begins her discussion by focusing on the medieval nunnery as a social institution and finds abundant historical evidence of indecorous behavior among the nuns. Who were the women most likely to transgress their vows? What were the most common transgressions? Why did these women choose convent life...
Early Christian women : sources and interpretation / Elizabeth A. Clark -- Women in early Byzantine hagiography : reversing the story / Susan Ashbrook Harvey -- Marital imagery in six late twelfth- and early thirteenth-century vitae of female saints / Diane L. Mockridge -- The place of women in the late medieval Italian church / Duane J. Osheim -- Misconduct in the medieval nunnery : fact, not fiction / Graciela S. Daichman -- Telling her sins : male confessors and female penitents in Catholic Reformation Italy / Rudolph M. Bell -- The battle of the sexes and the world upside down / Keith Moxey -- The religion of the femmelettes : ideals and experience among women in fifteenth- and sixteenth...
In historical records, women appear as widows, sometimes as wives or singlewomen, but one thing they had in common was they all were daughters. Through an examination of the Husting wills, Kate Staples focuses on daughters in the late medieval capital and their chances to own, rent, and manage property. These daughters were provided opportunities to be active economic agents in a world often described as hostile to women. Daughters of London also considers parents’ influence through their bequests to daughters and the visualization of daughters’ household spaces that these bequests allow. By focusing on daughterhood, and particularly urban daughters’ experiences of inheritance, we can refocus the lens through which we see and understand women’s lives in the medieval past
Published in 1994: The period surveyed in this anthology extends from the eve of Christianity's triumph, in the third century, to the new age of expansion in the fifteenth century, an age marked by the advent of printing pressed, the European discovery of the Caribbean islands, which Columbus called the Indies, the relentless stripping of medieval altars by Church reformists, and perhaps a diminution of female autonomy.
"Royal and saintly women are well-represented here, with the welcome addition of women from the Mediterranean arc...Garland has done a solid job of presenting this book." -- Arthuriana "The Anthology gives a fine sense of the great range of women's writing in the Middle Ages." -- Medium Aevum
This study offers a comprehensive typology of the Figure of the Medieval go-between across several Near-Eastern and European genres, and pays special attention to the role of intertextuality and history in the conception of the figure.
Reinvigorating the scholarly debate surrounding approaches to one of Chaucer's most notorious tales
Affective meditation on the Passion was one of the most popular literary genres of the high and later Middle Ages. Proliferating in a rich variety of forms, these lyrical, impassioned, script-like texts in Latin and the vernacular had a deceptively simple goal: to teach their readers how to feel. They were thus instrumental in shaping and sustaining the wide-scale shift in medieval Christian sensibility from fear of God to compassion for the suffering Christ. Affective Meditation and the Invention of Medieval Compassion advances a new narrative for this broad cultural change and the meditative writings that both generated and reflected it. Sarah McNamer locates women as agents in the creatio...
Equally in God's Image: Women in the Middle Ages is a volume of essays presenting the argument that with the coming of the universities women were excluded, in an apartheid of gender, from education and power. It discusses the resulting paradigm shift from Romanesque to Gothic, describing the images which women had of themselves and which the dominant male society had of them. We meet, in the pages of this book, medieval women in their roles as writers, pilgrims, wives, anchoresses and nuns, at court, on pilgrimage, in households and convents. The volume, as a «Distant Mirror» for ourselves today, seeks to present ways in which women then fulfilled the roles society expected of them and the ways in which they also subverted - through entering into textuality - the expectations of the dominating culture in order to quest identity and equality.
A comprehensive guide to literature written 500 to 1500 A.D., a period that gave rise to some of the world's most influential works; its emphasis is on English texts, but also covers Islamic, Hispanic, Germanic, Italian, and Russian works.