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Tragedy and the Tragic
The contributors, who include many of the world's foremost names in the field of Greek drama, debate the question. They reassess particular Greek plays, from Oresteia to Antigone and Oedipus to Ion; they re-examine Greek tragedy in its cultural and political context; and the relate the tragedy of the Greeks to the serious drama and theoretical perspectives of the modern world, with Shakespeare at the forefront of several essays.
A Guide to Ancient Greek Drama
This newly updated second edition features wide-ranging, systematically organized scholarship in a concise introduction to ancient Greek drama, which flourished from the sixth to third century BC. Covers all three genres of ancient Greek drama – tragedy, comedy, and satyr-drama Surveys the extant work of Aeschylus, Sophokles, Euripides, Aristophanes, and Menander, and includes entries on ‘lost’ playwrights Examines contextual issues such as the origins of dramatic art forms; the conventions of the festivals and the theater; drama’s relationship with the worship of Dionysos; political dimensions of drama; and how to read and watch Greek drama Includes single-page synopses of every surviving ancient Greek play
Greek Tragedy
Agememnon is the first part of the Aeschylus's Orestian trilogy in which the leader of the Greek army returns from the Trojan war to be murdered by his treacherous wife Clytemnestra. In Sophocles' Oedipus Rex the king sets out to uncover the cause of the plague that has struck his city, only to disover the devastating truth about his relationship with his mother and his father. Medea is the terrible story of a woman's bloody revenge on her adulterous husband through the murder of her own children.
The Greek Sense of Theatre
First published in 1997. Routledge is an imprint of Taylor & Francis, an informa company.
Story Patterns in Greek Tragedy
"When Aristotle said that tragedy is an imitation of action, he meant that apart from other purposes and interests tragedy always acts out a story. With this definition in mind, the author examines the most important story patterns found in Greek tragedy. He asks: What are the most important story patterns found in Greek drama? What stories were available for the use of poets like Aeschylus, Sophocles and Euripides? What did tradition require, permit or forbid them to use? Bringing in many related elements of Greek tragedy, the author defines each of the story patterns suitable to the genre -- tracing the roots to the folklore and myths of ancient Greece." -- Back cover.
A Handbook to the Reception of Greek Drama
A Handbook to the Reception of Greek Drama offers a series of original essays that represent a comprehensive overview of the global reception of ancient Greek tragedies and comedies from antiquity to the present day. Represents the first volume to offer a complete overview of the reception of ancient drama from antiquity to the present Covers the translation, transmission, performance, production, and adaptation of Greek tragedy from the time the plays were first created in ancient Athens through the 21st century Features overviews of the history of the reception of Greek drama in most countries of the world Includes chapters covering the reception of Greek drama in modern opera and film
Greek Tragedy
This classic work not only records developments in the form and style of Greek drama, it also analyses the reasons for these changes. It provides illuminating answers to questions that have confronted generations of students, such as: * why did Aeschylus introduce the second actor? * why did Sophocles develop character drawing? * why are some of Euripides' plots so bad and others so good? Greek Tragedy is neither a history nor a handbook, but a penetrating work of criticism which all students of literature will find suggestive and stimulating.
Greek Tragedy
For other editions, see Author Catalog.
Surviving Greek Tragedy
Surviving Greek Tragedy is a history of the physical survival to the present day of the thirty-two extant tragedies of Aeschylus, Sophocles and Euripides. Beginning with the first revival of the plays in the fourth century BC, it charts the course of their transmission down the centuries as they passed through the hands of actors, readers, scholars, schoolteachers, monks, publishers, translators and theatre directors. Over the course of this 2,400-year period, the plays were at different times performed, copied, quoted, emended, excerpted, analysed, taught, translated, censored, adapted, or merely left to moulder in a library, as each successive culture charged with their safe-keeping saw fit. In the last thirty years Greek tragedy has become the medium through which most people encounter the classical heritage, and in the book Garland gives extensive coverage to modern stagings of the plays all over the world, taking this fascinating story right up to the present. Fully illustrated with images from all the periods under discussion--from Greek vase paintings to Deborah Warner's production of Medea at the Queen's Theatre, London.
Greek Tragedy
An illustrated introduction to ancient Greek tragedy, written by one of its most distinguished experts, which provides all the background information necessary for understanding the context and content of the dramas. A special feature is an individual essay on every one of the surviving 33 plays.
