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The Political Plays of Euripides
  • Language: en
  • Pages: 180

The Political Plays of Euripides

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Euripides Our Contemporary
  • Language: en
  • Pages: 257

Euripides Our Contemporary

'In this masterful reevaluation of Euripides, Michael Walton recasts the playwright in light of his resonance for today's translators and directors. Springing from the rehearsal room rather than the page, Walton shows us not only why we are ready for Euripides, but why we so desperately need him.' Mary Louise Hart, Associate Curator of Antiquities, J. Paul Getty Museum 'A useful, reader-friendly introduction aimed at non-specialists, [it] offers detailed summaries of Euripides' plays, along with keen observations on their relevance for today's theater.' Rush Rehm, author of Radical Theatre Euripides Our Contemporary is a major new study of the work of the great classical tragedian that illum...

Euripidean Polemic
  • Language: en
  • Pages: 328

Euripidean Polemic

This book sets out to interpret Euripides' The Trojan Women in the light of a view of tragedy which sees its function, as it was understood in classical Athens, as being didactic. This function, the author argues, was carried out by an examination of the ideology to which the audience subscribed. The Trojan Women, powerfully exploiting the dramatic context of the aftermath of the Trojan War, is a remarkable example of tragic teaching. The play questions a series of mutually reinforcing polarities (man/god; man/woman; Greek/barbarian; free/slave) through which an Athenian citizen defined himself, and also examines the dangers of rhetoric and the value of victory in war. By making the didactic...

Euripides and the Tragic Tradition
  • Language: en
  • Pages: 404

Euripides and the Tragic Tradition

Euripides and the Tragic Tradition asks all the right questions. It forces us to confront the many contradictions in Euripides' work, demonstrates the differences between the literary assumptions of Sophocles and Euripides, and challenges us to respond to Euripidean drama with sophistication and sensitivity. --Francis M. Dunn, Scholia.

The tragedies of Euripides translated [by R. Potter]. by R. Potter
  • Language: en
  • Pages: 550

The tragedies of Euripides translated [by R. Potter]. by R. Potter

  • Type: Book
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  • Published: 1814
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  • Publisher: Unknown

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Euripides: 'Helen'
  • Language: en
  • Pages: 19

Euripides: 'Helen'

Detailed commentary, suitable for students, on one of the most skilful and original Greek tragedies.

The Tragedies of Euripides
  • Language: en
  • Pages: 554

The Tragedies of Euripides

  • Type: Book
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  • Published: 1808
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  • Publisher: Unknown

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Gender and the City in Euripides' Political Plays
  • Language: en
  • Pages: 284

Gender and the City in Euripides' Political Plays

Daniel Mendelsohn makes use of insights into classical Greek conceptions of gender and Athenian notions of civic identity to demonstrate that the plays 'Children of Herakles' and 'Suppliant Women' by Euripides are subtle and coherent exercises in political theorizing.

The Plays of Euripides
  • Language: en
  • Pages: 161

The Plays of Euripides

Over the past decades there has been something of a revolution in the way we view classical drama generally and Euripides in particular. This book, updated in a second edition, reflects that revolution and aims to show how Euripides was continually reinventing himself. A truly Protean figure, he seems to set out on a new journey in each of his surviving 19 plays. Between general introduction and final summary, Morwood's chapters identify the themes that underlie the plays and concentrate, above all, on demonstrating the extraordinary diversity of this great dramatist. New to this edition, which is updated throughout, are further details on the individual plays and extra suggestions for background reading. The volume is a companion to The Plays of Sophocles and The Plays of Aeschylus (both by Alex Garvie) also available in second editions from Bloomsbury. A further essential guide to the themes and context of ancient Greek tragedy may be found in Laura Swift's new introductory volume, Greek Tragedy.