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Comprising more than 65 pieces - journal articles, reviews, extended essays, sketches, aphorisms, and fragments - this volume shows the range of Walter Benjamin's writing. His topics here include poetry, fiction, drama, history, religion, love, violence, morality and mythology.
Long before television and radio commercials beckoned to potential buyers, the medicine show provided free entertainment and promised cures for everything from corns to cancer. Combining elements of the circus, theater, vaudeville, and good old-fashioned entrepreneurship, the showmen of the American medicine show sold tonics, ointments, pills, extracts and a host of other "wonder-cures," guaranteed to "cure what ails you." While the cures were seldom miraculous, the medicine show was an important part of American culture and of performance history. Harry Houdini, Buster Keaton, and P.T. Barnum all took a turn upon the medicine show stage. This study of the medicine show phenomenon surveys nineteenth century popular entertainment and provides insight into the ways in which show business, advertising, and medicine manufacture developed in concert. The colorful world of the medicine show, with its Wild West shows, pie-eating contests, clowns, and menageries, is fully explored. Photographs of performers and of the fascinating handbills and posters used to promote the medicine show are included.
The correspondence between Adorno and Walter Benjamin, which appears here for the first time in its entirety in English translation, must rank among the most significant to have come down to us from that notable age of barbarism, the 20th century. Each writer had met his match--happily--in the other. This book is the story of an elective affinity.
A berserk elephant gunned down in the heart of London, a machine for composing Latin hexameters, and the original rock band (1841)--these are but three of the sights that London curiosity-seekers from every walk of life paid to see from the Elizabethan era to the mid-Victorian period. Examining hundreds of the wonderfully varied exhibitions that culminated in the Crystal Palace of 1851, this generously illustrated book sheds light on a vast and colorful expanse of English social history that has thus far remained wholly unsurveyed. Drawing on a wealth of never-before-used information, Mr. Altick traces London exhibitions as they evolved from the display of relics in pre-Reformation churches,...
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Focusing on the arcades of 19th-century Paris--glass-roofed rows of shops that were early centers of consumerism--Benjamin presents a montage of quotations from, and reflections on, hundreds of published sources. 46 illustrations.
Holger Rust gilt als der pointierteste und wirkungsvollste Kritiker der feuilletonistischen „Trend- und Zukunftsforschung“. In seiner aktuellen Expertise zu den jüngsten Angeboten der Branche unterzieht er die Methoden und Befunde der vielfältigen Trend- und Zukunftsagenturen aus wissenschaftlicher wie aus wirtschaftspraktischer Perspektive einer profunden Analyse. Er kommt dabei zum Ergebnis, dass die meist vollmundigen Versprechungen weder methodologisch noch inhaltlich fundiert sind. In einer dezidierten Analyse diagnostiziert er vor allem im Hinblick auf die Anwendbarkeit der Trend- und Zukunftsdiagnosen rhetorisch aufgeputzte Trivialität und strategischen Opportunismus. Die so ge...
A collection of the author's essays on the history and development of female identity from the 18th to the early 20th centuries. Throughout the book are woven themes which are constant in Castle's work: fantasy, hallucination, travesty, transgression and sexual ambiguity.
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