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Modernisms
Modernisms explores art from the 1960s and early '70s from Iran, Turkey, and India via selections from an unparalleled collection at New York University. Featuring new scholar ship and seminal essays, this book also illustrates paintings, sculptures, drawings, and prints from these three countries alongside biographical narratives of each Artist.00Modernisms will be the first book to provide a cross-cultural study of works from Iran, Turkey, and India. In so doing, it will illuminate our understanding of modern art created outside the long-dominant North American-Western European axis. With nearly 700 works, the Abby Weed Grey Collection comprises the largest institutional holdings of modern art from Iran and Turkey outside those countries, and the most important trove of modern Indian art in an American university museum. Proposing non-Western art as a critical component of modernity, this publication challenges the long held belief that other modernisms are second-rate.00Exhibition: Grey Art Gallery, New York University, New York, USA (10.09. - 07.12.2019) / The Block Museum of Art, Evanston, USA (21.01. - 05.04.2020).
New York Cool
In art, eras rarely begin with new decades, and New York Cool proves that the years between 1955 and 1965 were at least as vital a phase as "the 60s." Taking a fresh look at a moment that has too long been viewed as a parenthesis between Abstract Expressionism and Minimalism/Pop art, this book documents the diversity of art made in New York during those years. James Lee Byars, Alex Katz, Yayoi Kusama, Agnes Martin, Kenneth Noland, Robert Rauschenberg and Frank Stella are presented here, alongside mentors such as Louise Bourgeois, Elaine and Willem de Kooning, Philip Guston, Robert Motherwell and poet Frank O'Hara.
Taking Shape
"Taking Shape: Abstraction from the Arab World, 1950s-1980s explores the development of abstraction in the Arab world via paintings, sculpture, and works on paper dating from the 1950s through the 1980s. By looking critically at the history and historiography of mid-20th century abstraction, the exhibition considers art from North Africa and West Asia as integral to the discourse on global modernism. At its heart, the project raises a fundamental art historical question: How do we study abstraction across different contexts and what models of analysis do we use? Examining how and why artists investigated the expressive capacities of line, color, and texture, Taking Shape highlights a number of abstract movements that developed in the Middle East, North Africa, and West Asia, as well as the Arab diaspora."--Artsy website (accessed 18/2/20).
Storied Past
The Blanton Museum of Art's collection of French Drawings is less well known than its other collections. This title is the first to publish the museum's over 75 works in a variety of media, ranging in date from the sixteenth through the nineteenth centuries. Preliminary sketches, fully developed compositional studies, figure studies and finished drawings show the breadth of the medium. The collection has a strong series of Italianate examples as well - many never before published - from the seventeenth and eighteenth centuries when the Académie royale de peinture et de sculpture was evolving into one of the dominant cultural and political institutions in Europe. SELLING POINTS: *Artists included in this collection are Jacques Callot, Theodore Rousseau, François Boucher and Jean Forain among others *Gives an in-depth understanding of the major figures of 16th-19th century French drawing and reflects the various shifts in the approach as it reached the modern era 99 colour & 4 b/w illustrations
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