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Napoli Unplugged Guide to Naples
The Napoli Unplugged Guide to Naples is not your typical guidebook. Written for the intrepid traveller seeking a more profound experience, the NU Guide delves deep - deep enough to catch the cultural heartbeat of the city. It's a must-have for anyone with more than just a passing interest in Naples and you'll want to revisit the book again and again, long after your return home. There's also plenty here to satisfy the wanderlust of armchair travellers. Written by four women united by a common passion - Napoli - who love to wax lyrical about their adoptive city, it makes you feel you're seeing Naples through the eyes of your best friends. Their own enthusiasms are multiple: art, archaeology a...
2024
The first part of Volume 14 of the Yearbook presents ten essays concerned with Futurism in Italy, Russia, Ukraine, Czechoslovakia, Romania and Germany, and two focusing on dance and typography. Among other things, this publication provides analysis of the futurist manifestos from late 1910 and 1911 and Velimir Khlebnikov’s futurist essays, as well as the networks of Futurism in Odessa. In the second part, a section on Caricatures and Satires of Futurism in the Contemporary Press examines five humorous images from five countries, in which the movement and its leader were lampooned. This section is followed by nine reviews of recent exhibitions, conferences and publications, and an annual bibliography with details of 128 new books on Futurism. Futurism from international, comparative and interdisciplinary perspectives Transcultural view of international avant-gardes
Napoli guida
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Raffaele Viviani
Alla fine degli anni Quaranta, Raffaele Viviani avverte la necessità di rivedere, rettificare e proseguire il racconto dell’autobiografia già edita da Licinio Cappelli nel 1928. In questa seconda ed ultima prospettiva, approfondisce particolarmente il rapporto arte-vita, integrando riferimenti di eventi, situazioni, emozioni che meglio avrebbero fatto comprendere - stampata l’opera - l’evoluzione del suo percorso artistico, largamente ispirato dalle sue esperienze personali e dal suo attento sguardo sulla società contemporanea. La malattia sopraggiunta nel 1947, in concomitanza con la narrazione degli ultimi avvenimenti esposti, e la successiva morte gli impedirono, però, di pubblicare l’opera. Nell’intento di attuare quella che era la volontà dello stesso Viviani, ho ritenuto opportuno portare alla luce l’ultima testimonianza dell’uomo e dell’autore legato alla sua Napoli, anima stessa del suo teatro, della quale ha mostrato difetti e pregi.
