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Hai wai yi zhen
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The Eternal Present of the Past
This study draws together various elements in late Ming culture – illustration, theater, literature – and examines their interrelation in the context of the publication of drama. It examines a late Ming conception of the stage as a mystical space in which the past was literally reborn within the present. This temporal conflation allowed the past to serve as a vigorous and immediate moral example and was considered a hugely important mechanism by which the continuity of the Confucian tradition could be upheld. By using theatrical conventions of stage arrangement, acting gesture, and frontal address, drama illustration recreated the mystical character of the stage within the pages of the book, and thus set the conflation of past and present on a broader footing.
Kuo chih chung pao
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Monks in Glaze
Monks in Glaze is a complete reassessment of the famous group of large glazed ceramic sculptures known as the Yixian Luohans. Drawing upon hitherto-unknown epigraphic documents, Eileen Hsiang-ling Hsu proposes a new date (1511–1519) for the group’s production and, for the first time, identifies the kiln centre near Beijing as its birthplace. Removed more than one hundred years ago from a massive grotto in northern China, the group’s provenance disappeared after its dispersal between 1913 and 1933. Delving into the social and economic issues of religious patronage, imperial workshop practice, and nuanced style of post-Yuan Buddhist art, Hsu convincingly shows that such a large group of masterworks were products of well-developed commercial economy of the Ming dynasty.
Masculinities in Chinese History
Masculinities in Chinese History is the first historical survey of the many ways men have acted, thought, and behaved throughout China’s long past. Bret Hinsch introduces readers to the basic characteristics of historical Chinese masculinity while highlighting the dynamic changes in male identity over the centuries. He covers the full span of Chinese history, from the Zhou dynasty in distant antiquity up to the current era of disorienting rapid change. Each chapter, focused on a specific theme and period, is organized to introduce key topics, such as differences between the sexes and the mutual influence of ideas regarding manhood and womanhood, masculine honor, how masculine ideals change, the use of high culture to bolster masculine reputation among the elite, and male role models from the margins of society. The author concludes by exploring how capitalism, imperialism, modernization, revolution, and reform have rapidly transformed ideas about what it means to be a man in contemporary China.
The Impact of Buddhism on Chinese Material Culture
From the first century, when Buddhism entered China, the foreign religion shaped Chinese philosophy, beliefs, and ritual. At the same time, Buddhism had a profound effect on the material world of the Chinese. This wide-ranging study shows that Buddhism brought with it a vast array of objects big and small--relics treasured as parts of the body of the Buddha, prayer beads, and monastic clothing--as well as new ideas about what objects could do and how they should be treated. Kieschnick argues that even some everyday objects not ordinarily associated with Buddhism--bridges, tea, and the chair--on closer inspection turn out to have been intimately tied to Buddhist ideas and practices. Long afte...
Refracted Modernity
Since the mid-1990s Taiwanese artists have been responsible for shaping much of the international contemporary art scene, yet studies on modern Taiwanese art published outside of Taiwan are scarce. The nine essays collected here present different perspectives on Taiwanese visual culture and landscape during the Japanese colonial period (1895–1945), focusing variously on travel writings, Western and Japanese/Oriental-style paintings, architecture, aboriginal material culture, and crafts. Issues addressed include the imagined Taiwan and the "discovery" of the Taiwanese landscape, which developed into the imperial ideology of nangoku (southern country); the problematic idea of "local color," ...
The Making of the Chinese State
In this study, Leo Shin traces the roots of China's modern ethnic configurations to the Ming Dynasty.
The Shaolin Monastery
This meticulously researched and eminently readable study considers the economic, political, and religious factors that led Shaolin monks to disregard the Buddhist prohibition against violence and instead create fighting techniques that by the 21st century have spread throughout the world.
