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Varied approaches to an overlooked time period in the history and archaeology of the Mediterranean This book presents multidisciplinary perspectives on Greece, Corsica, Malta, and Sicily from the fourth to the thirteenth centuries, an often-overlooked time in the history of the central Mediterranean. The research approaches and areas of specialization collected here range from material culture to landscape settlement patterns, from epigraphy to architecture and architectural decoration, and from funerary archaeology to urban fabric and cityscapes. Topics covered in these chapters include late Roman villas; the formation of Byzantine and Islamic settlements in western Sicily; reuse of protohi...
This authoritative compendium of newly translated primary sources reveals ancient Roman attitudes on every aspect of villas, from selection of place and construction activities to day-to-day management and lived experiences. While the term villa is generic today, its meaning extended across the entirety of ancient Roman life: villas supplied food, oil, and wine to towns and cities and produced raw materials for craft industries and building construction. Villas were also venues for pleasure, relaxation, and the cultivation of friendships and the mind. Many were known for their spectacular sites, architecture, decoration, and furnishings. They came to be ubiquitous throughout ancient Rome's E...
Exploring this interplay, Guy Métraux shows how the depiction of physiological processes gave statues and reliefs their animating force and how many medical and philosophical speculations about the body were derived from depictions in art. He examines works such as the Omphalos Apollo, the relief of the Girl with Doves from Paros, and the recently discovered two bronze warriors from Riace, paying particular attention to developments in the depiction of breathing, blood vessels, and facial expression, to attempts to show actual or potential motion, and to the invention of contrapposto (asymmetry of stance). Sculptors and Physicians in Fifth-Century Greece is a fascinating examination of the interaction between art and ideas in Greek intellectual life.
"Extensively documented with well-chosen, good quality photographs, Clarke's book effectively surveys these representative examples from the Late Republic to the Late Empire, illustrating the shift in the agendas of decoration as well as in the patterns of the lives played out behind closed doors within these highly charged domestic interiors."—Richard Brilliant, author of Visual Narratives: Storytelling in Etruscan & Roman Art "An enlightening and engaging walk through Roman cultural history. . . .This book will be essential to anyone interested in the classical past, in artistic ensembles, or in the experience of architecture."—Diane Favro, University of California, Los Angeles "Real experts in Roman painting are few. This book should be very welcome to Roman art historians and social historians wanting to present this material to their students."—Eleanor Winsor Leach, author of The Rhetoric of Space
In the Graeco-Roman world, the cosmic order was enacted, in part, through bodies. The evaluative divisions between, for example, women and men, humans and animals, “barbarians” and “civilized” people, slaves and free citizens, or mortals and immortals, could all be played out across the terrain of somatic difference, embedded as it was within wider social and cultural matrices. This volume explores these thematics of bodies and boundaries: to examine the ways in which bodies, lived and imagined, were implicated in issues of cosmic order and social organisation in classical antiquity. It focuses on the body in performance (especially in a rhetorical context), the erotic body, the dressed body, pagan and Christian bodies as well as divine bodies and animal bodies. The articles draw on a range of evidence and approaches, cover a broad chronological and geographical span, and explore the ways bodies can transgress and dissolve, as well shore up, or even create, boundaries and hierarchies. This volume shows that boundaries are constantly negotiated, shifted and refigured through the practices and potentialities of embodiment.
This book is the first of its kind to focus on issues concerning sculpture and reproduction, and to explore the theoretical and practical consequences.
Figures of Thought: Poseuses and the Controversy of the Grande Jatte -- Beethoven's Farewell: The Creative Genius "in the Claws of the Secession" -- The Mise-en-scène of Dreams: L'Après-midi d'un faune.
Examines how socioeconomic relations between Judaean elites and non-elites changed as Palestine became part of the Roman Empire.
Late Antique and Medieval Art of the Mediterranean World is a much-needed teaching anthology that rethinks and broadens the scope of the stale and limiting classifications used for Early Christian-Byzantine visual arts. A comprehensive anthology offering a new approach to the visual arts classified as Early Christian-Byzantine Comprised of essays from experts in the field that integrate the newer, historiographical research into 'the canon' of established scholarship Exposes the historical, geographical and cultural continuities and interactions in the visual arts of the late antique and medieval Mediterranean world Covers an extensive range of topics, including the effect that converging cultures in late antiquity had on art, the cultural identities that can be observed by looking at difference of tradition in visual art, and the variance of illuminations in holy books
Pompeii, Herculaneum, and Rome have yielded hundreds of wall paintings from domestic buildings. Greek myths and tragedies, especial by Euripides were visually represented. Balch presents an interdisciplinary study inquiring what earliest Jews and Christian in such houses might have been seeing as they read and interpreted scripture and performed core rituals, especially the Eucharist. This recent study of Roman domestic architecture suggests new perspectives on the social history of early Christianity.--Publisher.