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What role has football (and sport in general) played in Hungarian foreign policy? Was there a continuity between the inter-war period and communism? Are foreign politics and sporting diplomacy synonyms? This book tries to provide answers to these questions through a careful examination of documents of the Hungarian Foreign Ministry and Hungarian newspapers, supplemented by documentation from several European countries. Through Hungarian football, the author traces a history of Hungary during the Age of Extremes with a special focus on the period during which sport played a particular role in Hungarian foreign policy: from 1924, the date of the Paris Olympics, the first time the country competed after World War I, to 1960, date of the Olympics of Rome. The result is a study from a particularly original perspective, highlighting, first and foremost, the transnational dimension of Hungarian football.
The political tension of the Cold War bled into the Olympic Games when each side engaged in psychological warfare, exploiting sport for political ends. In Helsinki, the Soviet Union nearly overtook the United States in the medal count. Caught off guard, the U.S. hastened to respond, certain that the Soviets would use a victory at the next Olympics to broadcast their superiority over the Western world. Following the 1956 suppression of the Hungarian uprising, a Soviet athlete struck a Hungarian opponent in the Melbourne water polo semifinals, turning the pool red. The United States covertly encouraged Eastern Bloc athletes to defect, communist Chinese agents nearly succeeded in goading the Taiwanese government into withdrawing from the games, and a forbidden romance between an American and Czech athlete resulted in a politically complex marriage. This history describes those stories and more that resulted from the complicated relationship between Cold War politics and the Olympics.
Controversial poetry played a crucial role in dealing with religious, political, and scholarly conflicts from 1400 until 1625. This volume analyses roles and functions of Latin, Italian, Dutch, German, Scots, and Hungarian poetry in specific historical controversies. A media theory of poetical impact is proposed by Franz-Josef Holznagel and Dieuwke van der Poel. Levente Seláf, Philipp Steinkamp, and Guillaume van Gemert examine the genres sung in wars, and in rulers’ controversies. Judith Keßler, Dirk Coigneau, Juliette Groenland, and Regina Toepfer analyse how female and male rhetoricians and humanists use verse in religious, municipal, and educational conflicts. Signe Rotter-Broman, Sa...