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Europ'art
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Gérard Xuriguera, l'exception culturelle
Gérard Xuriguera met son énergie, sa plume et sa vie au service de l'art. Tour à tour et simultanément critique et historien de l'art, écrivain et commissaire d'expositions, complice des créateurs et en marge de l'Institution, il a croisé depuis les années 1970 les plus grands artistes internationaux contemporains. Sa trajectoire et ses prises de position souvent polémiques en ont fait un personnage hors norme de la sphère artistique. Plein de séduction, d'humour et parfois de colère, il nous guide à travers ses souvenirs dans l'intimité de la vie artistique et donne son point de vue amusé, bienveillant ou caustique sur les acteurs de ce vaste jeu de rôles. Dans cet ouvrage magnifique, témoignage sensible d'une passion sincère, Gérard Xuriguera, poussé par Nathalie Cottin dans ses ultimes retranchements, se révèle entièrement dans un propos libre, fidèle à ce mélange de chaleur, de simplicité et de style qui est la signature de cet homme de l'Art. Un témoignage qui fera date.
Satoru Sato
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Luc Peire
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Gil Granero
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Yankel
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Nineteenth- and Twentieth-century Paintings
Robert Lehman (1891-1969), one of the foremost art collectors of his generation, embraced the work of both traditional and modern masters. This volume catalogues 130 nineteenth- and twentieth-century paintings that are now part of the Robert Lehman Collection at The Metropolitan Museum of Art. The majority of the works are by artists based in France, but there are also examples from the United States, Latin America, and India, reflecting Lehman's global interests. The catalogue opens with outstanding paintings by Ingres, Théodore Rousseau, and Corot, among other early nineteenth-century artists. They are joined by an exemplary selection of Impressionist and Post-Impressionist works by Degas...
National Union Catalog
Includes entries for maps and atlases.
Christoforou
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Henri Michaux
Henri Michaux is both a recognised poet and visual artist, arguably one of the greatest 'double artists' of the twentieth century. This book presents the first detailed examination of a particular interdisciplinary aspect of his production, namely, the innovative experimentation with signs contained in four works: Mouvements, Par la voie des rythmes, Saisir and Par des traits. Questions arise concerning their literary and visual status as, in their attempt to render interior rhythm and dynamism, they occupy an interstitial space between writing and drawing, between the book and the canvas, between the Western alphabet and Chinese characters. This study addresses these questions by analysing the conception, production and reception of Michaux's signs and the literary and artistic contexts in which they were produced.
